Electric Violins: Preamps

This post is part of a series. Read our previous posts for more information about electric violins, amps and pickups.

Do I need a preamplifier for my electric violin?

Short answer: Yes. A preamplifier, or preamp, is key to getting a great tone out of an electric violin, viola or cello.

Long answer: We need to get technical.

The electric string instruments and pickups we stock at Johnson String Instrument all use variations of piezo electric sensors (piezo for short). Piezo pickups work differently than the magnetic pickups found on electric guitars; instead of sensing a string’s vibration, a piezo pickup senses an instrument’s vibration.

Piezos work best under pressure, which is why these pickup systems are usually found in or beneath the bridge of an instrument. As the instrument vibrates, the piezo generates an electrical signal that can be amplified. However, piezos have ultra high impedance outputs. In order to maximize the frequency response and tone of a piezo pickup, you must match it to an ultra high impedance input. This is what a preamp does: it buffers the impedance of your signal, making it fuller and stronger.

Why is this important? Most amplifiers and accessories on the market are designed for electric guitars and their impedance, not electric violin. Plugging a passive electric violin directly into an electric guitar amp will work, but the sound you get may not be what you were expecting.

Do I need to buy a preamp?

That depends on your setup. Many electric instruments already have on-board preamps that take care of this impedance mismatch. These instruments are what is called “active” and typically require batteries. “Passive” systems do not require batteries.  An external preamp is highly recommended with these piezo systems. The chart below shows products we carry and which category they fall into:

These passive pickup systems all produce a very strong signal so a preamp is not mandatory. However, we highly recommend a preamp to maximize your instrument’s amplified tone.

The benefits of external preamps go beyond impedance matching; all have XLR outputs, allowing you to connect easily to a PA system. This is a major time saver when playing live. When you connect to a PA, you  do not have to leave your tone up to the sound guy; most preamps feature tone-shaping EQ controls. Many preamps on the market also have boost functions, allowing you to boost your volume by a few decibels when you are ready for a solo or need help cutting through the mix.

NEXT: watch for our Preamp Buying Guide to find out which preamp is right for you.

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Copyright © 2017 · All Rights Reserved · Alex Wagner

The 2016 Holiday Gift Guide

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Our annual Holiday Sale is back, and so is our Holiday Gift Guide! This year, we have a mix of exciting new products as well as old favorites for musicians of all levels and ages.

Electric Violins

JSI Companion

JSI EV-4 Companion Outfit in red. ON SALE $320.00

JSI EV-4 Companion Outfit in red, ON SALE $320.00

Our brand for electrics, this instrument is a great option for those getting started with electric violin. An outfit comes with the instrument in one of five colors, bow, case and headphones.

Yamaha YEV

Yamaha YEV-104 Black Electric Violin Outfit ON SALE $696.00

Yamaha YEV-104 Black Electric Violin , $595.00

Winner of Best in Show at the 2016 NAMM conference! This innovative instrument can be purchased with four or five strings in two different colors. The outfit includes the instrument, bow, case, cable and rosin.

We haven’t forgotten about you viola, cello and bass players! See all of our electric instruments currently on sale on our website.

Galaxy Cases

Galaxy 300SL Comet Violin Case in green ON SALE $337.00

Galaxy 300SL Comet Green Violin Case, ON SALE $337.00

A newer, lighter case makes a great gift! This JSI exclusive, both durable and light, is a great option. Available for violin, viola and cello in nine different colors!

Ukulele

Cordoba 20SM Soprano Ukulele $149.00

Cordoba 20SM Soprano Ukulele, $149.00

Check out why the ukulele is such a great instrument in our blog post and give someone the gift of this versatile instrument this holiday season. There are four types to choose from: soprano, concert, baritone and tenor. May we also suggest this book to help them get started?

Children’s Books

These books are great holiday gifts for young musicians! Some of our favorites are:

Berlioz the Bear

Berlioz the Bear, written and illustrated by Jan Brett

Berlioz the Bear, written and illustrated by Jan Brett, $6.99

“Berlioz and his orchestra are scheduled to perform at a gala ball in the village square. But just before showtime, their bandwagon becomes stuck in the road. Whatever will they do?”

Zin, Zin, Zin, A Violin!

Zin! Zin! Zin! a Violin

Zin! Zin! Zin! a Violin by Lloyd Moss, illustrated by Marjorie Priceman, $7.99

A Caldecott Honor book, this classic is a great introduction to the orchestra. Intended for ages 4-8.

The Philharmonic Gets Dressed

The Philharmonic Gets Dressed by Karla Kuskin, Illustrated by Marc Simont $6.99

The Philharmonic Gets Dressed by Karla Kuskin, Illustrated by Marc Simont, $6.99

“It is Friday evening. The sky is getting darker and darker. Here and there, all around the city, one hundred and five people are getting ready to go to work. Some of them take showers, others bathe. Some shave or trim their mustaches, others put on dusting powder and a little jewelry. Then they all get into special black and white clothes and travel to midtown with their instruments. There, at 8:30, they will work together–playing beautiful music in an orchestra.” Intended for ages 4-8.

Stocking Stuffers

Magic Rosin

Magic Rosin Bach Manuscript 3G $16.00

Magic Rosin Bach Manuscript 3G, $16.00

Not only is this rosin available with a Bach manuscript, it’s also available in GLOW-IN-THE-DARK!

Rockin’ Rosin

Rockin' Rosin Frog ON SALE $9.95

Rockin’ Rosin Frog, ON SALE $9.95

This fun rosin is available in six different shapes including frog, snowman and even pizza!

Overscore Tape

Overscore Removable Manuscript Tape $8.00

Overscore Removable Manuscript Tape, $8.00

The tool you never knew you needed: REMOVABLE manuscript tape!

You can find even more stocking-stuffer ideas here.

Don’t forget to sign up for our newsletter to get our exclusive December Deals December 12-18th and for even more savings.

Happy Holidays from all of us at Johnson String!


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Copyright © 2016 · All Rights Reserved · Silvija Kristapsons

Which Edition of Sheet Music Do I Buy?

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Your teacher tells you you’re starting a new piece. You go to buy the sheet music, only to discover there are multiple editions to choose from.

Which edition do you choose?

The easy answer? The one your teacher tells you to buy. They like that edition and want you to get it for a reason. If they don’t have a preferred edition, it’s up to you to decide. While finances sometimes dictates that choice, here are a few things you should know about choosing sheet music:

What Do I Look For? 

Everyone has different priorities when choosing an edition, but here are some things to keep in mind while browsing sheet music:

  • Is it easy to read? Can you read the notes? Are articulations clearly marked? It’s a good idea to look at different editions in person. Compare them side-to-side and see which one is easier for you to read.
  • Are there a lot of marked bowings and fingerings? These are easily changed with a quick pencil scribble. However, if too many are already marked in the part it can start to look messy if you need to fix them. Some people prefer to get sheet music with the least amount of bowings and fingerings so they can clearly mark their own.
  • Does it lie flat? Does the sheet music lie flat on the stand, or would you have to secure it? Would you have to break the binding to get it to stay where you need it to?
  • Price: More expensive editions cost more for a reason. You may find it helpful, or you may not notice a difference.
  • Is it Urtext? This only applies to certain pieces, but sometimes it’s helpful to use an urtext edition instead of a more modern one.

urtext-graphic

 

We pride ourselves on our sheet music selection at Johnson String. Stop in to compare in person or visit us online. We also do special orders; contact our sheet music specialist, Joan Faber at joan@johnsonstring.com.

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Copyright © 2016 · All Rights Reserved · Silvija Kristapsons

Departments of JSI: School Programs and Delivery

Departments of JSI

It’s time for another installment of Departments of JSI! This series highlights the different people in our company. We’re able to run such a large business through the expertise of and collaboration between our different departments. Everyone has a skill they use to accomplish everything from coordinating rental trips to selling instruments to repairing instruments to shipping things on time and safely. This series will help you get to know the variety of people and jobs that are done here at JSI.

The School Programs and Delivery department are the people you see at our rental nights throughout New England and New York State. They handle any deliveries, exchanges, and other transactions done through school districts or at rental nights throughout those areas. They are constantly in contact with teachers and school administration to make sure everyone has what they need.  We asked some of them to talk about what they do:

What is your position at JSI?

Justin Davis: School Program/Guitar Specialist.

Natalie Harrington: I’m the Rental Delivery and Programs Manager.

Steve Soucy: I am a School Programs Specialist. This means I work specifically with teachers and administrators of various public and private schools in Massachusetts and New Hampshire to cater our products and services to meet the needs of their string/orchestra programs.

What does a typical day look like for you?

Justin: My days tend to be quite varied. Some days I will be setting up and repairing guitars, others I will be scheduling with and otherwise contacting teachers to ensure that they and their students have all of the proper instruments and accessories that they need to succeed. In the busy times, mainly the start and end of the school year, I will be visiting each of our programs in Connecticut and Southern Massachusetts while also helping out the rest of the team where needed.

Natalie: That depends on the season. My top priority is always working with our teacher clients to ensure we’re meeting their programs’ needs. Sometimes that means driving to schools myself; other times it’s coordinating staff, vans, instruments, and product to send on the road. I always need to be at my desk for at least a few hours a day to answer emails, update our service trips web page, and make sure everything is ready to go for the next delivery.

Steve: In September, I start the day at my desk to answer any questions or fill any requests made by teachers and clients the previous night or earlier that morning. Then it is off to the workshop to review and pack instrument and accessory orders for the event that night. Once we are packed, we head off to the event. There we unpack and prepare for parents and students. Afterwards, we pack up, head back to the workshop, and unload. Once unloaded, we close up the workshop and prepare for the next event.

What is your main instrument?

Justin: I call guitar my primary instrument but violin was my first instrument and I played that all through school as well. I was always a bit of a jack of all trades with experience with viola, cello, mandolin, and ukulele as well.

Natalie: Violin. I started in the Suzuki method when I was four, and continued to play seriously, even becoming concert mistress of my orchestra, until I graduated from high school.

Steve: Electric Bass

Did you go to school for music?

Justin: I went to the University of Maine, double majoring in music education and guitar performance.

Natalie: No, actually: I got my degree in Cognitive and Linguistic Sciences from Wellesley College.

Steve: No, economics.

What is your favorite part of your job?

Justin: My favorite part of my job has always been seeing the excitement that a new player has when they first pickup their instrument. You can just see in their eyes that this will be a lifelong learning adventure for them.

Natalie: I love a challenge! We rent to over 100 school programs throughout New England and New York, so there is a lot to coordinate. Doing my job well involves keeping an eye on a wide variety of staff, procedures, and departments, and anticipating problems so I can solve them before they happen. Never a dull day!

Steve: Working with schools and music teachers. Providing students with a high quality instrument that allows them to enjoy playing music and develop a life-long passion for it.

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Copyright © 2016 · All Rights Reserved · Silvija Kristapsons

Departments of JSI: Front Staff

Departments of JSI

It’s time for another installment of Departments of JSI! This is a series that highlights the different people that work within our company. We’re able to run such a large business through the expertise of and collaboration between our different departments. Everyone has a skill that they utilize to accomplish everything from coordinating rental trips to selling instruments to repairing instruments to shipping things on time and safely. This series will help you get to know the variety of people and jobs that are done here at JSI.

The Front Staff are among the most visible departments in our company. If you’ve ever come in to our Newton location, you have probably talked to a member of our front staff. They handle everything from rentals to selling merchandise to fitting chin and shoulder rests. We asked them to answer some questions about themselves and their jobs:

What is your position?

Justin Davis: Guitar Specialist/School Programs Specialist

Julie Metcalf: I am the Assistant Store Manager at JSI.

Amy Nolan: Store Manager

What is your favorite part of your job?

Justin: Finding the perfect instrument for a player, whether that be a first time student or a more advanced musician looking for a forever instrument. The process of pairing an instrument to a player is very rewarding.

Julie: The most exciting thing we do in the storefront is rentals! All kinds of people, young and old, come in each day looking to play an instrument for the first time. It is magical to share with them my joy and enthusiasm for music. I take care to help them select the right instrument and set them up with evrything they need to get started. Rental customers come in each day with many different needs: maybe the player grew and needs a bigger size, or there’s an open seam on a rental cello, or a violinist has a broken E string. It’s rewarding to be able to help people on their musical journeys.

Amy: Helping everyone from kids to adults find joy in music!

What does a typical day look like for you?

Justin: A typical day can include setting up each guitar to a tight specification to ensure proper playability, intonation, and quality. Working with customers to find them the perfect guitar, mandolin, or ukulele. Scheduling and/or visiting a school program to service students’ instruments to ensure that they are practicing on the highest quality rental instruments possible.

Julie: I work in the storefront every day, assisting customers who come in the door. I do a little bit of everything: helping people find sheet music, advising them on strings, fitting chinrests and shoulder rests, and showing accessories like cases and music stands.

Amy: Everything from renting instruments to new players and helping advancing players select higher quality instruments to working with local teachers to make sure they have everything they need for their students. I enjoy working with staff at all levels of the company to ensure great levels of customer service and a love of music all around.

What is your main instrument?

Justin: I have played violin since the age of 7 and started playing guitar in middle school. I have always been a jack of all trades and “master” of none. Anything with strings I can probably play it. But if you were to force me to pick one, I suppose it would have to be guitar as that is what my degree is in.

Julie: Violin. I have played many different styles of music on violin and viola.  I mostly play fiddle for contra and square dances in the Boston area. I also play jawharp, and I am learning banjo and guitar.

Amy: Cello.

Did you go to school for music?

Justin: I went to the University of Maine and double majored in music education and classical guitar performance.

Julie: I went to Berklee College of Music, where I studied violin performance.

Amy: Yes, University of Southern Maine, studying piano and cello.

Were you a Johnson renter growing up?

Justin: No.

Amy: I was! I had only been playing for a couple of years when I switched to a JSI rental cello and had a great time. Later on my family used the rental equity to purchase a cello once I could play a full-size, and I still play that instrument!

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Copyright © 2016 · All Rights Reserved · Silvija Kristapsons

Back to School: First-Time Players

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It’s that time of year again!

Is your child starting an instrument this school year? Not sure what they need? Whether they are taking lessons through their school or elsewhere, their teacher will have a list of what they require for their students. However, we can also give you a basic list of what your child will need to succeed:

Back to School Blog Instruments Subheader

Where are you getting your instrument? For a child just starting lessons, many families choose to rent. This is a great way to have access to a high-quality instrument without the financial commitment of purchasing one. All of our rental outfits come with an instrument, bow, case, and rosin. They also come with insurance, which includes things like broken strings, accidental damage, and size exchanges. Check out the video below to learn more about our well-respected rental program:

Not interested in renting? Buying is also a great option! When shopping, make sure that the shop you buy your instrument at has a trade-in program. Keep in mind that most children are not going to start out in a full size instrument; they will need something smaller and will change sizes as they grow. Our sales department at Carriage House Violins has a trade-up program that allows you to trade any instrument or bow purchased with us for another of equal or greater value. Keep in mind that if you buy an instrument, you will be responsible for the cost of repairs and strings.

**A note about instrument shopping and rentals: Always work with a reputable shop. You may notice lower prices on sites like Amazon or eBay. To learn an instrument, you need something that is high enough quality that it works with your child, not against them. Quality can’t be guaranteed on sites like these, but it can at shops like Johnson String Instrument whether you choose rent or buy. 

Back to School Blog Books Subheader

Almost all programs require a beginning method book. Your child’s teacher will tell you which one they use. Make sure to pay attention to the edition they ask for; a lot of publishers make significant changes between editions and group classes all use the same book. You can find our full selection of method books here.

Back to School Blog Shoulder Rest & Endpin Anchors Subheader

No matter which instrument your child chooses, you’ll need something to help stabilize it. For violin and viola, this is a shoulder rest. For cello and bass, it’s an endpin rest. Both help the player hold the instrument and promote good technique. Talk to your child’s teacher about their preference.

Back to School Blog Music Stands Subheader

Some teachers list music stands as optional, but they are important. Like a podium for a public speaker, it puts the music at a comfortable level and angle. You don’t need anything fancy – our JSI folding stand will do the trick! It comes in a wide variety of colors and is easily carried and stored. We also carry other models and non-folding stands here.

Back to School Blog Extras Subheader

These things required but highly recommended for players of any age:

  1. Metronome/Tuner: You can find some great apps that do the same thing, but sometimes a dedicated device just works better. Available as individual products or combos, we carry all major brands and models.
  2. Practice Planner: These are great for tracking practicing, recording assignments, assessing progress, and all-around organization.
  3. Flashcards: These are a great tool for beginners. They are available for all instruments in different positions as well as for general music.

Don’t forget: Your child’s teacher is your greatest resource! They will tell you exactly what they want their students to have. If your child is taking lessons locally, many school districts and teachers have arrangements with us to have a rental night where you can pick up all of these supplies at school in your area.

We hope everyone has a great start to the school year!

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Copyright © 2016 · All Rights Reserved · Silvija Kristapsons

Electric Instruments: Pickups

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This post is part of our ongoing Electric Instruments series. Check out our previous posts on finding an electric violin, getting started with your new electric instrument, and choosing an amp

You want to start experimenting with electric violin, but you either don’t want a second instrument or need something budget-friendly. What’s your best option? Electrify your acoustic by installing a pickup! Now for the harder question: which pickup should you choose? Like finding the right electric violin or amplifier, there are different factors to consider. First let’s take a look at different pickups options that are available:

The Realist

This is one of our favorite pickups at Johnson String. Designed by Ned Steinberger of NS Design fame in collaboration with David Gage, the sound quality is fantastic. Even though the pickup element sits under the bridge, your instrument’s acoustic tone will not be affected. However it can only be installed by a luthier, so it is not easy to remove.

The Band by Headway

Players looking for a pickup that is easily installed and removed don’t need to look any further than The Band. This instant-fit pickup wraps around the body of your instrument using Velcro, making it easy to take off when you don’t need it. The Band produces a strong, lively tone suitable for a variety of styles from fiddle to classical.

LR Baggs Violin Pickup

If you are looking to transform your violin into an “electric-acoustic,” then a replacement bridge like the LR Baggs violin pickup is a great option. Featuring a transducer embedded in a Despiau Superior bridge blank, this pickup will effortlessly capture your instrument’s inherent dynamics. However, this also means the pickup requires professional installation to fit your instrument. The LR Baggs was our pickup of choice when creating our JSI Performer-Acoustic Violin.

The next step in selecting a pickup is to consider your needs. If you need to be amplified on a regular basis and do not mind leaving a pickup on your violin, the Realist or LR Baggs are great options. If you need a little more flexibility or only need to amplify your violin once in a while, the Band may be the one for you. It is difficult to make a wrong choice with any of these options as each produces a great sound that can always be tailored with a little EQ.

Finally, all of the pickups mentioned in this post are “plug and play.” This means that once installed, you can plug straight into an amp or PA system and start rocking and rolling. While preamps are not required with any of these pickups, they are highly recommended. Look for my next post to find out why!

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Copyright © 2016 · All Rights Reserved · Alex Wagner

What is Instrument Insurance?

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Instrument insurance is an important part of caring for your instrument. Professionals use it regardless of their genre and music shops have it to protect their inventory. Whether you recently bought an instrument or own one that isn’t already insured, we highly recommend purchasing a policy to help protect your investment.

Insurance What Is Subheader

It’s exactly what it sounds like: an insurance policy with specific coverage for your instrument(s). It usually takes the form of either:

  1. A rider on your current renter’s or homeowner’s policy, or
  2. A separate policy through a company that specializes in insuring musical instruments

Insurance Why Should Subheader

Any insurance policy is about financial protection should damage or theft occur in the future and instrument insurance is no different. It is designed to protect you against things like theft, accidental damage, and devaluation. Always check with the insurance provider about specific coverage questions, but most companies will cover common problems that can happen with musical instruments.

Insurance Options Subheader

Rider: This something you can add to a preexisting renter’s or homeowner’s insurance policy. This is a great option if you are not a professional musician but still want protection for your instrument. Be sure to ask about the kind of coverage a rider has with your current insurance company before adding anything.

Separate Policy: If you use your instrument professionally, this is what you will need. The main companies used by most musicians and shops in no particular order are:

  1. Heritage Insurance Services, Inc. 
  2. Clarion Associates, Inc.
  3. Huntington T. Block Insurance Agency, Inc. (formerly known as Merz-Huber)
  4. Traveler’s Insurance (they have a valuable items policy that includes musical instruments)
  5. Total Dollar Insurance

The benefit of these companies is that they understand the specific nuances of musical instruments and their value. It’s also a good option if you have multiple instruments, a lot of equipment, or travel frequently.

Insurance Policy Subheader

You will need a couple of things before you start looking:

  1. A list of items you need to insure. Many companies will insure everything from instruments to electrical and recording equipment, sheet music, and cases but always ask the company what is and is not covered first.
  2. Up-to-date appraisals for all of your instruments and bows.

Once you have this information, start shopping! Talk to the companies you are considering about any concerns and ask what they specifically cover in their policies. Make sure to compare deductibles as well as rates. For example, if you have a $1,500 instrument and the deductible is $1,000, that policy may not be your best option. Get quotes from everyone you are thinking of using, decide what will work best for you, and enjoy the piece of mind that comes with knowing your instruments are protected.

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Copyright © 2016 · All Rights Reserved · Silvija Kristapsons

Summer Program Necessities

Summer Program Blog Header

Summer has finally arrived!

Excited yet?

In addition to the school year being done and the promise of warm, hopefully beach-filled days, many of you are getting ready for summer programs. Not sure what to bring? We have a few suggestions:

THE BASICS

  • Extra Strings. This may be the single most important item to bring excluding your instrument. In most cases you won’t be near a shop and you do not want to be in a bind because you didn’t have an extra A string. Bring at least a full set of new strings, and hang on to those old ones that may be less than ideal but better than nothing in a pinch.
  • An organized way to carry your music. Maybe you have a music pocket in your case that works just fine. If not, a messy pile on the floor you grab before running to rehearsal is not gonna cut it. Whether it’s a backpack, tote bag or something else entirely, make sure it safely fits those original parts.
  • Tuner/Metronome. Yes, many of you have an app on your phone. However, it is nice not to have to drain your phone battery. Plus, these metronomes and tuners can be much louder and more versatile. Go for a combo to take up even less space.
  • Peg Compound. This product is small but useful. It’s helpful in both summer and winter to help pegs grip and to lubricate them. When you are far away from a workshop, this can be an invaluable product.

THINGS THAT GET LEFT BEHIND

  • Water Bottle. Hydration is the key to success. You may not be rehearsing in the AC, and these programs, while rewarding, are also tiring and can take a lot out of you. Stay healthy and hydrated.
  • Sunblock. This is an important and easily forgotten item. You’ll be spending a lot of time outside. Stay protected! Playing a violin with a severely sunburned shoulder is not fun.
  • A Fan. AC is not a given in the dorms you are most likely staying it. Even a small box fan in a window can do wonders for air circulation.
  • Pencils. This is a no-brainer. You are a musician and need a pencil in rehearsal. Grab a package of them before you leave (and a sharpener if you prefer non-mechanical ones) so you’re not caught without one.

ONE LAST THING!

Before you leave, visit a luthier. Get your instrument and bow looked over. Be sure to let your luthier know if you will be going somewhere with a drastically different climate so they can prepare your instrument accordingly.

Have fun and work hard!

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Copyright © 2016 · All Rights Reserved · Silvija Kristapsons

Violin Cases: How To Choose The Best One For You

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Choosing a violin case is an important decision. While everyone is looking for something different when it comes to cases, there is one commonality everyone is looking for: a product that will protect their investment. How this can best be accomplished is an individual decision, but here are some factors to consider:

What To Look For In A Violin Case 

Fit

  • Instrument. We’ll start with the obvious: Does your instrument fit in the case? Is it secure, or does it slide around? When you close the case, does it look like nothing hits the top of the instrument? Again, you want the case to protect your investment and the less your instrument slides around, the safer it will be.
  • Bow. Do all of your bows fit inside the case? Do you want them to? Violin cases usually have between two and four bow spinners, which is enough for most players.
  • Accessories. How much extra stuff do you want to keep inside your case? Some cases have more room for things like accessories or music than others.

Portability

This means different things to different people. Think about the type of travelling and commuting you typically do with your instrument. Then, consider the following factors:

  • Weight. Some cases are lighter than others. If you are doing a lot of walking or get around using public transportation, you may want  a lighter case since you will be carrying it on your person more frequently. If you typically drive to your gigs, weight may be lower on your list of priorities.
  • Straps. How to do you like to carry your case? Check for strap configuration options–most cases allow for different variations. Also take into consideration what kinds of straps come with the case. Brands like Galaxy and BAM come with two padded backpack straps, while Bobelock comes with only one strap. (You can also purchase individual straps depending on your needs.) One more useful kind of strap to look for: the subway strap. This is the one that is attached to the scroll end of the case that allows you to hold it vertically, and can be a lifesaver on the (of course) crowded subway.
  • Shape/Style. Shaped cases tend to be more compact but fit less things, while oblong (rectangular) cases fit more things but take up more space. Half-moon cases fall somewhere in the middle.

Protection

We’re referring to two specific things when we say protection:

  • Suspension. Get a case that has suspension. Period. This means that the instrument is not touching the back or front of the case and will not absorb all of the impact if something happens. 99% of cases you look at will have suspension, but double check.
  • Climate. Do you live somewhere hot and humid? Dry and cold? Both and everything in between? Most cases on the market are at the the very least water resistant, but you may need something more waterproof or insulated depending on where you live. Most cases can be customized to accommodate the climate you live in (in-case humidifiers and case covers are two popular examples), but this is still something to keep in mind when shopping.

Still unsure what to get? Here’s a quick breakdown of the most popular brands we carry:

VN Case Chart 2

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Copyright © 2016 · All Rights Reserved · Silvija Kristapsons