Departments of JSI: Sales Department

Departments of JSI

It’s time for another installment of Departments of JSI ! This is a series that highlights the different people that work within our company. We’re able to run such a large business through the expertise of and collaboration between our different departments. Everyone has a skill that they utilize to accomplish everything from coordinating rental trips to selling instruments to repairing instruments to shipping things on time and safely. This series will help you get to know the variety of people and jobs that are done here at JSI.

Our Sales Department consists of our sales consultants and director of sales and acquisitions. These are who you talk to when you are looking to purchase an instrument, be it by phone, email, or in person. We asked them to answer a few questions about themselves:

What is your position at JSI?

Allan Espinosa: My position at Carriage House Violins of Johnson String Instrument is Senior Sales Consultant.

Matthew Fritz: Director of Sales and Acquisitions

Armenuhi Hovakimian: My position is a Violin Sales Consultant.

Robert Mayes: Cello Consultant

Phil Rush: Viola Sales Consultant

Lucy Turner: Assistant Sales Manager

Where did you study your main instrument?

Allan: I spent three years of study at the University of North Texas. I then moved to New England and completed my studies at the Boston Conservatory where I completed my BM and MM in violin performance.

Matthew: Bachelors in violin performance from Arizona State University. Masters in Orchestral Conducting from The Eastman School of Music.

Armenuhi: My education started in Armenia and then in Rochester, NY at the Eastman School of Music Prep Department. I received my Bachelors at Indiana University of Pennsylvania and my Masters in violin performance at Western Michigan University.

Robert: Walnut Hill, New England Conservatory, Julliard, Boston University

Phil: UC Riverside (composition/theory) B.A.; California Institute of the Arts, Viola Performance M.F.A.; Florida State University, Viola Performance D.M.

Lucy: I have a BMus degree in violin performance from Vanderbilt University and an MMus from Boston University.

What does a typical day look like for you?

Allan: My typical day at CHV revolves around my clients. This would include speaking with my clients to gain a better understanding of what they are looking for in an instrument, hunting down those instruments within our inventory and spending one on one time to help select a particular instrument with the player. When I am not working directly with clients, I spend time with the luthiers of the workshop, fine tuning instruments and making sure our instruments are in top condition. They day is full of communication be it face to face, on the phone or via email.

Matthew: My days are varied. Much of my time is spent evaluating instruments as potential appraisals, consignments or acquisitions and advising clients about buying and selling instruments and bows. Additionally, I oversee the sales staff and support them as they endeavor to match clients with the perfect instrument and bow. On any given day, I can be found at my desk, attending trade events, traveling for sales and acquisitions opportunities or meeting with my staff.

Armenuhi: My day begins with emails and phone calls to my clients. Then I work with our highly qualified luthiers and bow makers to adjust instruments and bows to reach the goals and needs of my clients.

Robert: I begin by practicing for 2 hours on 2-3 different cellos and 3-4 different bows. I find it important to be as familiar with the instruments as possible. When I work with my clients I want to provide them with my honest opinion of the instrument or bow. Every day at the shop is different because we work with a wide range of musicians. At the beginning of this week I was in Los Angeles with members of the LA Philharmonic and on Friday I will be working with one of the cello professors at the New England Conservatory.

Phil: My day begins with correspondence via email and phone in response to customer queries. After that I set up for any appointments I have, work with our luthiers and bow technicians on adjusting instruments and bows that need it, and reach out to my sales contacts who are looking regarding our latest acquisitions.

Lucy: The first thing I usually do in the morning is respond to client emails and return calls. Once I’m caught up there, I work with clients who have in-store appointments or I play instruments in preparation for shipping trials. A lot of my managerial duties involve inventory and getting new instruments and bows ready to trial and sell, so I take care of tasks related to that throughout the day as needed.

Do you play any secondary instruments?

Allan: I do not claim to play a secondary instrument very well but I did spend time studying piano and clarinet and have sung in choirs.

Matthew: I do not make music other than playing the violin and conducting.

Armenuhi: I played piano for 20 years.

Robert: No.

Phil: I also play piano and guitar. I guess you could say that as a violist, the violin is also a very important secondary instrument….

Lucy: Nope.

What is your favorite part of your job?

Allan: My favorite part of my job is the moment when a young musician has found the instrument that inspires creativity and pursuit of creativity in music. I also enjoy the vast array of instruments and the opportunity to work with contemporary luthiers hand in hand with the sales staff and clients.

Matthew: I enjoy many aspects of my job. The instruments are fascinating, especially then it comes to the craft and history of the violin. There is so much to learn, and even the internationally-recognized experts are constantly adding to their knowledge on a daily basis. I also enjoy traveling and meeting a variety of people from players to makers and collectors. In my position, there is never a dull moment, and you never know what a day will bring.

Armenuhi: Seeing my clients smile and working with my clients to find a great tool and the right instrument to carry their passion for music.

Robert: I enjoy being able to interact with so many musicians of all levels. Finding the right instrument or bow is crucial and I am thrilled to help people find their voice.

Phil: My greatest satisfaction comes from helping our clients find the instruments that inspire them and take them further toward their goals, whatever they may be.

Lucy: I love working with a client to figure out exactly the sound they’re looking for in an instrument or a bow. It’s really satisfying to find an instrument for a client that’s a perfect match and that they’re excited about playing.

 

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Copyright © 2016 · All Rights Reserved · Silvija Kristapsons

The Best Grad Gifts: 2016 Edition

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They did it! All of the hard work, late nights, practicing, homework and dedication have paid off. If you’re looking for ideas for what to get the grad in your life, we have a few suggestions for you:

Sheet Music

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This is a great gift in so many different forms. Maybe it’s the Urtext edition of their favorite chamber piece or a piece they have always wanted to learn. All of our folk, fiddle, jazz, pop and world music is included in the Grad Sale, which includes things like Star Wars, Disney, The Fiddler’s Fakebook and more.

A New Case

Now is a great time to invest in a new case. With brands like Bobelock and Galaxy (a JSI exclusive) on sale, this is a great option for surprising your recent grad.

Ukulele

While not included in our Grad Sale, our ukuleles start at at just $89, making them budget-friendly in addition to being an accessible instrument. Curious to learn more about the ukulele? Check out our previous post about them.

Upgrade Their Instrument

CHV Grad Sale Instruments Twitter

Our Grad Sale for commercial instruments is back! Selected commercial instruments are 10% off through June 30, and you can take 15% off the bow and case when purchasing an instrument on sale as part of an outfit.

Want to purchase your rental instead? We’re offering double your first year equity when you purchase a rental instrument from us. Keep in mind that while you can always use your equity to purchase an instrument through our sales department at Carriage House Violins, this double first year offer is only available when purchasing your rental instrument.

Gift Certificates

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Always available in any amount.

Still not sure what to get them? You can’t go wrong with a gift certificate! You can purchase one in any amount (call for details) and they are valid on everything from accessories to instruments.

You can check out the products listed here and much more in store or on our website. A heartfelt congratulations to all graduating this May and June. Good luck with your future endeavors!

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Copyright © 2016 · All Rights Reserved · Silvija Kristapsons

Electric Instruments: Amps

Electric Instruments Amps Header Image

Finding the right amplifier can be just as difficult as finding the right electric violin. Unfortunately for us electric violinists, most amplifiers on the market are designed for guitar, specifically electric guitar. Now, any amplifier will amplify your electric violin, but you may have difficulty getting the exact tone you are looking for. Why? A violin has a much wider frequency range than a guitar, and produces many over and undertones. Through years of trial and error, I found that most electric guitar amplifiers cannot quite handle the upper octaves of a violin; they start sound quite shrill once you get to the E string.

The best solutions we have found here at Johnson String Instrument are amplifiers designed for acoustic instruments and guitars, like the Fishman Loudbox and the Roland AC series. These amps are designed to reproduce the sound of the instrument that you plug in, a tremendously helpful feature when you are trying to make your violin sound like a violin. Acoustic amplifiers can also handle the wide range of a violin, and most have anti-feedback systems which are extremely useful when you are using a pickup on an acoustic violin.

Figuring out which one to purchase? This decision is highly dependent on what you are planning. A little amplifier like the Roland Mobile AC is surprisingly loud, but would have difficulty competing with a full band. It is a great little amp for practicing, traveling and busking. If you are looking for a portable amp that is loud enough for small venues and groups, a Fishman Loudbox Mini or Roland AC-33 will do the trick. The Loudbox Mini packs a little more punch, which the AC-33 counters with an on-board looping function you can use to channel your inner Andrew Bird.

Looking for more volume to play with a rock band? The Roland AC-60 or Fishman Loudbox Artist should do the trick. If you need even more volume to compete with guitarists using tube amps and drummers with full kits who like to play loudly, you may need the power of the Fishman Loudbox Performer. The performer will allow you to be heard in any situation.

Any of these amps are a wonderful choice and will help make your electric violin sound like a violin. If you decide this isn’t what you want, you can always dive into the wonderful world of effects and add distortion, delay and modulation stomp boxes; stay tuned for more on these and other topics related to electric instruments!

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Copyright © 2016 · All Rights Reserved · Alex Wagner

Departments of JSI: Customer Service Representatives

Departments of JSI

It’s back: it’s another installment of Departments of JSI ! This is a series that highlights the different people that work within our company. We’re able to run such a large business through the expertise of and collaboration between our different departments. Everyone has a skill that they utilize to accomplish everything from coordinating rental trips to selling instruments to repairing instruments to shipping things on time and safely. This series will help you get to know the variety of people and jobs that are done here at JSI.

Our Customer Service Representatives are the people you talk to when you call us. They handle everything from rental account management to website questions and everything in between. We asked them some questions about themselves and their jobs:

What is your position at JSI?

Samantha Bates: Assistant Office Manager.

Anna Seda: I am a Customer Service Representative.

What does a typical day look like for you?

Sam: A typical day would be speaking with customers for placing orders or rentals, occasional training, going through many accounts for updates and information, creating rental account documents, going through rental account reports

Anna: My typical daytime work is at a desk. I help clients remotely with questions and sales orders from rental contracts to string accessories.

What is your main instrument?

Sam: Violin.

Anna: Cello.

Did you go to school for music?

Sam: Yes, I received my BM in Violin Performance at BU [Boston University].

Anna: I did! I studied cello performance at the University of Colorado and Suzuki Pedagogy at the University of Denver. I have a Master’s Degree from the Boston Conservatory and spent one additional year in the Conservatory’s competitive Graduate Performance Diploma program.

What is your favorite part of your job?

Sam: Working with musicians and like-minded individuals. It is a very unique environment when you have something so special like music that brings everyone together. We find music just as important as our customers, and therefore we have that connection that makes our staff and customer bond like nothing anywhere else.

Anna: I love string talk! I’ve been a cellist all my life and enjoy sharing my interests and knowledge with people getting into the culture of performance. I’m always learning from our inventory specialists and get to explore accessories, rosin, cases, and strings I wouldn’t normally get to try.

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Copyright © 2016 · All Rights Reserved · Silvija Kristapsons

How to Choose Your College

Choose College Blog HeaderYOU DID IT! You navigated the applications, survived the auditions, and received your acceptance letters. Take a moment to bask in the glow of your accomplishments.

(Go ahead, do it–you deserve it!)

Now for the reality check: How do you decide where to go? You can make a pro/con list, solicit advice from friends and teachers, talk to your parents and take whatever steps you need to help make this decision. Here are a few things to keep in mind as you go through this process:

Choose College Finances Title

For most families, this is the biggest concern. Maybe the school you had your heart set on didn’t offer you enough financial aid, or you didn’t receive as much aid as you hoped all around. First take a look at the type of aid you’ve been offered.

  • Government aid is determined by your FAFSA and is essentially set in stone once it’s awarded. This does NOT come through the school itself. For some government aid, the earlier you complete your FAFSA the more aid you get so make sure to complete it as soon as possible.
  • Scholarships and grants are awarded by the school and can be a little more flexible.

Concerned you didn’t receive enough? The best thing you can do is contact the school’s financial aid office and ASK. There is a possibility you can find more money through scholarships or grants, or they will have advice on securing a loan from an independent lender. This can also be helpful once you are in the school and can prove your commitment and financial need. Whatever you decide to do financially, make sure you consider the investment before you commit to a school; it may be a well-chosen debt if you are comfortable taking it on for a school you are passionate about and can advance your playing and your career. However, don’t put yourself in a financial hole you aren’t OK with getting out of.

Choose College Campus Title

If you didn’t visit a school you’re considering during auditions, now is the time to do so. Go to those welcome parties and information sessions they’re offering! It’s a great way to meet professors, administration, and possibly future classmates. Get a feel for the school, since it’s the place you’ll possibly spending the next four years of your life. Make sure to also take a test lesson with the teacher while you are there, as they will be one of your biggest mentors during your time there. Sit in on a masterclass or lecture if possible. In short, do everything you can to experience what it would be like to go to this school so you can make an informed decision.

Don’t forget to consider the location of the campus too! As we said before when choosing where to apply, know what you’re comfortable with distance-wise and what kind of environment you thrive in. If you despise being in the middle of nowhere, that cute college you visited that borders nothing is probably going to drive you crazy. Keep in mind too what kinds of opportunities are available, musical and otherwise. Some schools have stronger chamber music programs, others are great for learning orchestral repertoire. Find out about the local music scene in the community too, especially if you are interested in pursuing a non-classical career. It is even worth it to see if you can take non-musical classes as well if that’s what you are interested in. Whatever it is you are passionate about, make sure it’s available in some form.

Music schools, whether they are stand-alone conservatories or a school within a larger university, tend to be on the smaller side. For some, a larger school provides freedom to explore new things independently and to carve their own path. Others need more individualized attention and ongoing guidance in order to succeed. Think about what would work best for you and see if you can talk to current or former students. They’ll have valuable insight on the things you can’t determine from a quick campus visit, everything from where to live freshman year to whether they feel supported by teachers and administration.

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Is everything pointing one way but your instincts are screaming against it? Listen to them. Nervous that you made the wrong choice? This choice is not the be all end all–plenty of people transfer once they realize that the school they chose does not offer something they are looking for. The best thing you can do is decide what you want (or don’t want), gather all of the information you can to make an informed decision, and go for it.

Congratulations to everyone choosing colleges!

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Copyright © 2016 · All Rights Reserved · Silvija Kristapsons

Rent or Buy?

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We all come to this question at some point in our playing careers. Our parents (or we as parents) have needed to make the all-important decision:

Do we rent or buy the instrument?

Why Rent?

In most cases, beginners of all ages begin by renting. Why? There are a few important benefits to renting as a beginner:

  1. Insurance. Our rental program comes complete with comprehensive instrument insurance that includes normal wear and tear, size exchanges, and replacing broken or damaged strings.
  2. Low-risk commitment. Beginners tend to either be young or just that: beginners. Renting allows you to try out the instrument and gauge interest before making a serious financial commitment.
  3. Rental Equity. At Johnson String, you build equity as you rent. 100% of the first year’s rent (excluding insurance and tax) plus 20% every subsequent year goes toward rental equity that can be used to purchase an instrument in the future.
  4. Finances. We offer three levels of rental instruments, not only allowing beginners but more advanced players access to a quality instrument. This is great for when the player needs a new instrument of higher quality but you are not ready to make the financial commitment.

Why Buy?

  1. You are ready for the investment. Purchasing an instrument is a great investment for your musical future. With Carriage House’s trade-in policy, 100% of the purchase price goes towards an instrument of equal or greater value when you trade in your old instrument. This allows you to better your instrument as your skills grow and change.
  2. Quality. While our rentals are well-maintained and high quality, they are still rental instruments. There comes a point when the player outgrows their rental and an instrument with a setup of higher quality is required. An instrument from our sales department is also not passed from renter to renter, and won’t have the same level of wear and tear. All instruments from our sales department also come with a one year warranty against defects in craftsmanship and materials.
  3. Finances. Violinists should expect to spend at least $1,200, violists $1,500, and cellists $2,600 for the instrument alone. If you purchase the instrument, bow and case together as an outfit Carriage House Violins offers a 10% discount on the bow and case. You will also work with a sales consultant who is a player and can give you informed recommendations. In addition, we offer home trials with up to two instruments and three bows at a time. This is the perfect opportunity to try out new instruments in a variety of environments and to get teacher and peer feedback.

**An additional option is to purchase a rental outfit. Give us a call or stop in for more details.

But I still don’t know what to do!

We can still help! Use the flow chart below to determine what might work best for you:

Rent or Buy Flowchart

 

Still not sure? Feel free to give us a call at 800-359-9351 or stop by our shop at 1029 Chestnut Street in Newton Upper Falls, MA for more information!

Learn more about our rental program here and our instrument sales here.

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Copyright © 2016 · All Rights Reserved · Silvija Kristapsons

Find the best violin strings for your playing

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We’ve highlighted the general search for strings, and talked about the particular challenges facing cellists. Now, we’re entering the world of violin strings.

Violin is used in an astonishing range of genres, each style making different demands on the player. Ultimately, as we’ve mentioned before,  you will need to experiment and find what works best for you. Some factors to consider are:

Style of playing: Different styles make different demands. Are you an orchestral musician? A soloist? A bluegrass fiddler? Play violin in a band? All of these are going to require different types of sound and therefore different types of strings.

Price Range: While it might not the same financial commitment as cello strings, high level violin strings can be pricey. It’s worth getting advice from your peers or talking to a luthier to find out what type of string would work best for your genre or instrument before making a purchase.

That infamous open E-string whistle: I’m sure many of you are hearing it as you read this. Whistling happens when the string vibrates in a twisting (torsional) motion instead of side to side. This can be caused by many different things, but essentially anything that impedes how the string vibrates can cause that sound. Some instruments are more susceptible to it than others, but most players have experienced this at least once in their lives. There are a few things that can fix this:

  1. Make sure that your left hand is not touching the string at all.
  2. Keep your bow closer to the bridge when you’re playing open E.
  3. Use a wound E string.
  4. Have a luthier check your setup. There could be something about it that is exacerbating the problem.
  5. Many violinists swear by the Kaplan Solutions Non-Whistling E string or the Pirastro No. 1 E string.

A note on E strings–many violinists will buy one set of strings for the bottom 3 strings and a separate E string, or a whole set of  one brand of strings for the instrument (a generalization, but a preference we’ve noticed). Here is a list of preferred violin strings: 

Popular Violin Strings Chart

Check out our complete listing of violin strings here.

As always, feel free to call or stop by our Newton store for more recommendations!

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Copyright © 2016 · All Rights Reserved · Silvija Kristapsons

Upright bass: integral to jazz and classical music

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The bass is arguably the most integral component of any group. Can you imagine a jazz standard without the bass line, or an orchestral masterwork without a bass section? As the instrument with the lowest range, the bass provides the foundation for almost all music we are familiar with. For all of its importance, it is also a surprisingly unknown instrument and one that invites myriad of questions, including the favorite “don’t you wish you played flute?”

(The answer is no, by the way.)

Whether you call it upright bass, double bass, string bass, or just bass, it is different from the rest of the string family in a few ways. First, it is tuned in fourths rather than fifths. It also sounds an octave lower than what the player reads on the page.

The two main genres people associate with the bass are jazz and classical. Each of these genres have their own use for the instrument and superstars who dominate the field. What are some of these differences?

TECHNIQUE

In jazz, the bass is almost exclusively plucked.  Classical repertoire requires both the bow and pizzicato. Bass is unique among string instruments in that it has two different types of bows and bow holds: French (similar to a cello bow) and German (held with an underhanded grip).

TYPES OF PERFORMANCE OPPORTUNITIES

Of course, there is always room for innovators in any genre (think Esperanza Spalding or Edgar Meyer), but these are the most prominent positions you can expect to see for bass players in the two this post addresses:

Bass performance chart

 

ACCESSORIES

Bass players will need things like rosin (most popular are Pops, Nyman, and Carlsson), a wheel for transport, and a bib for comfort. Jazz players may also need a pickup on their instrument, an amp, or may even use an electric bass for ease of transportation among many other benefits. Brands that manufacture electric basses include Yamaha and NS.

Keep an eye out for more posts about bass in the future!

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Copyright © 2016 · All Rights Reserved · Silvija Kristapsons

Electric Violins are a new take on a classic instrument

Electric Violin Blog Image

The world of electric violins is a small yet wonderful world. If you are ready to take the plunge, then read on!

The first step in choosing an electric violin is determining what its primary use will be. Are you looking for an instrument for performance or for silent practice? What style of music will you be playing? Rock, jazz, classical? It is also important to consider the tone you are looking for; do you want an instrument with a more acoustic tone, or an instrument with a distinct electric sound and feel? Think of the difference between an electric and acoustic guitar.

Now on to choosing the right violin. At Johnson String Instrument we are proud to carry a selection of electric instruments from Yamaha, NS Design, Realist, Bridge and our very own Johnson EV-4 Companion. For an instrument suited to silent practice, the Yamaha SV-130, SV-150 and Johnson Companion are great options. Both the SV-130 and Companion are quite versatile and make great entry level instruments for performance as well.

If you are looking for an instrument with a focus on performance, Yamaha and NS Design make fantastic options. The Yamaha SV-200, 250 and 255 all work well for performance with their advanced pick up systems, but retain the headphone output for silent practice. The NS Design violins all have a focus on performance; from the WAV to the CR model, all feature a unique solid body design. How to choose between a Yamaha and an NS Design? In this author’s opinion, the Yamaha instruments feel and sound much closer to an acoustic violin, while NS Design violins feel very much like an “electric” instrument. Both are very high quality instruments, so you cannot go wrong with either.

Another option is an acoustic-electric violin, like the Realist RV-series instruments. Essentially a regular violin with a built-in pickup system, these instruments provide the best of both worlds. A similar solution is to install a pickup on your acoustic violin. Choosing the right one is similar to choosing the right electric violin: it involves experimentation and knowing what you want out of the instrument.

Once you have chosen your electric violin, there are a few accessories you will need. As far as bows go, you can use the same bow you have always used. If you are looking for something specific, CodaBow has developed the Joule, a carbon fiber bow specifically designed for use with electric violins. Gig bags are available for Yamaha electric instruments, but any standard case can also accommodate their models. NS Design requires a brand-specific case. An amplifier is necessary as well for almost all electric instruments we carry except the Yamaha SV-150, which is exclusively a practice instrument.

Keep an eye out for future posts about choosing amplifiers and more information about electric instruments!

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Copyright © 2016 · All Rights Reserved · Alex Wagner

Cello Month 2016 at Carriage House Violins

JSI Blog Cello Month Header

IT’S FINALLY HERE!

(Can you tell we’re excited?)

March is Cello Month at Carriage House Violins, when we celebrate the cello and those who love it. Like last year, we will have a variety of concerts and lectures all taking place at Carriage House Violins. We invite you to join us for as many as you can!

Monday March 7th, 7PM: Cello Month Launch Party: Wine and Hors d’oeuvres Reception

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Come to learn more about the exciting events hosted by Carriage House Violins as a part of Cello Month! You can also get the first look at our month-long contemporary cello and bow exhibit and meet many of the makers involved.

Free and open to the public. Please RSVP to info@carriagehouseviolins.com.

Tuesday March 8th, 7pm: Jim McKean, More Than Meets the Ear: Bringing a Cello to Life

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In this lecture by luthier and author Jim McKean, you will get a brief look at the sources of the design of the cello and how the construction allows a maker to create a unique work of art, both visually and tonally.

Free and open to the public. No RSVP necessary. 

Thursday, March 10th, 7:30PM: Tao Ni Cello Recital

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Originally hailing from Beng Bu, An Hui Province, China, Tao Ni is an accomplished cellist currently playing with the Los Angeles Philharmonic.

Performing:
* Felix Mendelssohn: Sonata for Cello and Piano in D Major
* Gaspar Cassado: Suite for Solo Cello
* Dmitri Shostakovich: Sonata for Cello and Piano in d minor
* Nicolo Paganini: ‘Moses’ Variations on a theme of Rossini

Tickets: $20. To order, please click here

Friday, March 18th, 7:30PM: Terry King: A Lecture on Gregor Piatigorsky

Terry King

Join cellist Terry King, author of Gregor Piatigorsky; The Life and Career of the Virtuoso Soloist, in a talk on this legendary performer and teacher.

Book signing after the lecture.

Free and open to the public. No RSVP necessary. King’s book can be purchased here

Wednesday, March 23rd, 7PM: Joel Krosnick Tribute

Joel Krosnick

Juilliard String Quartet cellist Joel Krosnick is stepping down after an incredible 42 years in the quartet. Join his friends and colleagues in paying tribute to this achievement and his illustrious career.

Reception to follow.

Free and open to the public. Please RSVP to info@carriagehouseviolins.com.

Tuesday, March 29th, 7:30PM: Mike Block Cello Recital 

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Hailed by Yo-Yo Ma as the “ideal musician of the 21st century,” Mike Block is a multi-style cellist and composer. Do not miss this amazing solo performance by the Silk Road Ensemble cellist and Berklee College of Music professor.

Block will expand your conception of what is possible with the cello, as he attempts to connect the world’s cultures through music.

Reception to follow.

Tickets $20. To order, please click here

March 7th-April 2nd, Standard Business Hours: Contemporary Cello and Cello Bow Exhibit

Maker exhibit

The 2nd Annual Cello Month Contemporary Cello and Cello Bow Exhibit will begin with the launch party on March 7.  Throughout the rest of the month, the exhibit will be open during our normal business hours. For more information on the makers being featured, visit our event page.

Share your excitement (and photos!) with us using #cellomonth on Twitter and Instagram, or post directly to our wall on Facebook.

Happy Cello Month!

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Copyright © 2016 · All Rights Reserved · Silvija Kristapsons