Our annual Holiday Sale is back, and so is our Holiday Gift Guide! This year, we have a mix of exciting new products as well as old favorites for musicians of all levels and ages.
JSI EV-4 Companion Outfit in red, ON SALE $320.00
Our brand for electrics, this instrument is a great option for those getting started with electric violin. An outfit comes with the instrument in one of five colors, bow, case and headphones.
Yamaha YEV-104 Black Electric Violin , $595.00
Winner of Best in Show at the 2016 NAMM conference! This innovative instrument can be purchased with four or five strings in two different colors. The outfit includes the instrument, bow, case, cable and rosin.
We haven’t forgotten about you viola, cello and bass players! See all of our electric instruments currently on sale on our website.
Galaxy 300SL Comet Green Violin Case, ON SALE $337.00
A newer, lighter case makes a great gift! This JSI exclusive, both durable and light, is a great option. Available for violin, viola and cello in nine different colors!
Cordoba 20SM Soprano Ukulele, $149.00
Check out why the ukulele is such a great instrument in our blog post and give someone the gift of this versatile instrument this holiday season. There are four types to choose from: soprano, concert, baritone and tenor. May we also suggest this book to help them get started?
These books are great holiday gifts for young musicians! Some of our favorites are:
The Philharmonic Gets Dressed by Karla Kuskin, Illustrated by Marc Simont, $6.99
“It is Friday evening. The sky is getting darker and darker. Here and there, all around the city, one hundred and five people are getting ready to go to work. Some of them take showers, others bathe. Some shave or trim their mustaches, others put on dusting powder and a little jewelry. Then they all get into special black and white clothes and travel to midtown with their instruments. There, at 8:30, they will work together–playing beautiful music in an orchestra.” Intended for ages 4-8.
It’s time for another installment of Departments of JSI! This is a series that highlights the different people that work within our company. We’re able to run such a large business through the expertise of and collaboration between our different departments. Everyone has a skill that they utilize to accomplish everything from coordinating rental trips to selling instruments to repairing instruments to shipping things on time and safely. This series will help you get to know the variety of people and jobs that are done here at JSI.
The Front Staff are among the most visible departments in our company. If you’ve ever come in to our Newton location, you have probably talked to a member of our front staff. They handle everything from rentals to selling merchandise to fitting chin and shoulder rests. We asked them to answer some questions about themselves and their jobs:
Julie Metcalf: I am the Assistant Store Manager at JSI.
Amy Nolan: Store Manager
What is your favorite part of your job?
Justin: Finding the perfect instrument for a player, whether that be a first time student or a more advanced musician looking for a forever instrument. The process of pairing an instrument to a player is very rewarding.
Julie: The most exciting thing we do in the storefront is rentals! All kinds of people, young and old, come in each day looking to play an instrument for the first time. It is magical to share with them my joy and enthusiasm for music. I take care to help them select the right instrument and set them up with evrything they need to get started. Rental customers come in each day with many different needs: maybe the player grew and needs a bigger size, or there’s an open seam on a rental cello, or a violinist has a broken E string. It’s rewarding to be able to help people on their musical journeys.
Amy: Helping everyone from kids to adults find joy in music!
What does a typical day look like for you?
Justin: A typical day can include setting up each guitar to a tight specification to ensure proper playability, intonation, and quality. Working with customers to find them the perfect guitar, mandolin, or ukulele. Scheduling and/or visiting a school program to service students’ instruments to ensure that they are practicing on the highest quality rental instruments possible.
Julie: I work in the storefront every day, assisting customers who come in the door. I do a little bit of everything: helping people find sheet music, advising them on strings, fitting chinrests and shoulder rests, and showing accessories like cases and music stands.
Amy: Everything from renting instruments to new players and helping advancing players select higher quality instruments to working with local teachers to make sure they have everything they need for their students. I enjoy working with staff at all levels of the company to ensure great levels of customer service and a love of music all around.
What is your main instrument?
Justin: I have played violin since the age of 7 and started playing guitar in middle school. I have always been a jack of all trades and “master” of none. Anything with strings I can probably play it. But if you were to force me to pick one, I suppose it would have to be guitar as that is what my degree is in.
Julie: Violin. I have played many different styles of music on violin and viola. I mostly play fiddle for contra and square dances in the Boston area. I also play jawharp, and I am learning banjo and guitar.
Did you go to school for music?
Justin: I went to the University of Maine and double majored in music education and classical guitar performance.
Julie: I went to Berklee College of Music, where I studied violin performance.
Amy: Yes, University of Southern Maine, studying piano and cello.
Were you a Johnson renter growing up?
Amy: I was! I had only been playing for a couple of years when I switched to a JSI rental cello and had a great time. Later on my family used the rental equity to purchase a cello once I could play a full-size, and I still play that instrument!
It’s time for another installment of Departments of JSI ! This is a series that highlights the different people that work within our company. We’re able to run such a large business through the expertise of and collaboration between our different departments. Everyone has a skill that they utilize to accomplish everything from coordinating rental trips to selling instruments to repairing instruments to shipping things on time and safely. This series will help you get to know the variety of people and jobs that are done here at JSI.
Our Sales Department consists of our sales consultants and director of sales and acquisitions. These are who you talk to when you are looking to purchase an instrument, be it by phone, email, or in person. We asked them to answer a few questions about themselves:
What is your position at JSI?
Allan Espinosa: My position at Carriage House Violins of Johnson String Instrument is Senior Sales Consultant.
Matthew Fritz: Director of Sales and Acquisitions
Armenuhi Hovakimian: My position is a Violin Sales Consultant.
Robert Mayes: Cello Consultant
Phil Rush: Viola Sales Consultant
Lucy Turner: Assistant Sales Manager
Where did you study your main instrument?
Allan: I spent three years of study at the University of North Texas. I then moved to New England and completed my studies at the Boston Conservatory where I completed my BM and MM in violin performance.
Matthew: Bachelors in violin performance from Arizona State University. Masters in Orchestral Conducting from The Eastman School of Music.
Armenuhi: My education started in Armenia and then in Rochester, NY at the Eastman School of Music Prep Department. I received my Bachelors at Indiana University of Pennsylvania and my Masters in violin performance at Western Michigan University.
Robert: Walnut Hill, New England Conservatory, Julliard, Boston University
Phil: UC Riverside (composition/theory) B.A.; California Institute of the Arts, Viola Performance M.F.A.; Florida State University, Viola Performance D.M.
Lucy: I have a BMus degree in violin performance from Vanderbilt University and an MMus from Boston University.
What does a typical day look like for you?
Allan: My typical day at CHV revolves around my clients. This would include speaking with my clients to gain a better understanding of what they are looking for in an instrument, hunting down those instruments within our inventory and spending one on one time to help select a particular instrument with the player. When I am not working directly with clients, I spend time with the luthiers of the workshop, fine tuning instruments and making sure our instruments are in top condition. They day is full of communication be it face to face, on the phone or via email.
Matthew: My days are varied. Much of my time is spent evaluating instruments as potential appraisals, consignments or acquisitions and advising clients about buying and selling instruments and bows. Additionally, I oversee the sales staff and support them as they endeavor to match clients with the perfect instrument and bow. On any given day, I can be found at my desk, attending trade events, traveling for sales and acquisitions opportunities or meeting with my staff.
Armenuhi: My day begins with emails and phone calls to my clients. Then I work with our highly qualified luthiers and bow makers to adjust instruments and bows to reach the goals and needs of my clients.
Robert: I begin by practicing for 2 hours on 2-3 different cellos and 3-4 different bows. I find it important to be as familiar with the instruments as possible. When I work with my clients I want to provide them with my honest opinion of the instrument or bow. Every day at the shop is different because we work with a wide range of musicians. At the beginning of this week I was in Los Angeles with members of the LA Philharmonic and on Friday I will be working with one of the cello professors at the New England Conservatory.
Phil: My day begins with correspondence via email and phone in response to customer queries. After that I set up for any appointments I have, work with our luthiers and bow technicians on adjusting instruments and bows that need it, and reach out to my sales contacts who are looking regarding our latest acquisitions.
Lucy: The first thing I usually do in the morning is respond to client emails and return calls. Once I’m caught up there, I work with clients who have in-store appointments or I play instruments in preparation for shipping trials. A lot of my managerial duties involve inventory and getting new instruments and bows ready to trial and sell, so I take care of tasks related to that throughout the day as needed.
Do you play any secondary instruments?
Allan: I do not claim to play a secondary instrument very well but I did spend time studying piano and clarinet and have sung in choirs.
Matthew: I do not make music other than playing the violin and conducting.
Armenuhi: I played piano for 20 years.
Phil: I also play piano and guitar. I guess you could say that as a violist, the violin is also a very important secondary instrument….
What is your favorite part of your job?
Allan: My favorite part of my job is the moment when a young musician has found the instrument that inspires creativity and pursuit of creativity in music. I also enjoy the vast array of instruments and the opportunity to work with contemporary luthiers hand in hand with the sales staff and clients.
Matthew: I enjoy many aspects of my job. The instruments are fascinating, especially then it comes to the craft and history of the violin. There is so much to learn, and even the internationally-recognized experts are constantly adding to their knowledge on a daily basis. I also enjoy traveling and meeting a variety of people from players to makers and collectors. In my position, there is never a dull moment, and you never know what a day will bring.
Armenuhi: Seeing my clients smile and working with my clients to find a great tool and the right instrument to carry their passion for music.
Robert: I enjoy being able to interact with so many musicians of all levels. Finding the right instrument or bow is crucial and I am thrilled to help people find their voice.
Phil: My greatest satisfaction comes from helping our clients find the instruments that inspire them and take them further toward their goals, whatever they may be.
Lucy: I love working with a client to figure out exactly the sound they’re looking for in an instrument or a bow. It’s really satisfying to find an instrument for a client that’s a perfect match and that they’re excited about playing.
They did it! All of the hard work, late nights, practicing, homework and dedication have paid off. If you’re looking for ideas for what to get the grad in your life, we have a few suggestions for you:
This is a great gift in so many different forms. Maybe it’s the Urtext edition of their favorite chamber piece or a piece they have always wanted to learn. All of our folk, fiddle, jazz, pop and world music is included in the Grad Sale, which includes things like Star Wars, Disney, The Fiddler’s Fakebook and more.
While not included in our Grad Sale, our ukuleles start at at just $89, making them budget-friendly in addition to being an accessible instrument. Curious to learn more about the ukulele? Check out our previous post about them.
Upgrade Their Instrument
Our Grad Sale for commercial instruments is back! Selected commercial instruments are 10% off through June 30, and you can take 15% off the bow and case when purchasing an instrument on sale as part of an outfit.
Want to purchase your rental instead? We’re offering double your first year equity when you purchase a rental instrument from us. Keep in mind that while you can always use your equity to purchase an instrument through our sales department at Carriage House Violins, this double first year offer is only available when purchasing your rental instrument.
Always available in any amount.
Still not sure what to get them? You can’t go wrong with a gift certificate! You can purchase one in any amount (call for details) and they are valid on everything from accessories to instruments.
You can check out the products listed here and much more in store or on our website. A heartfelt congratulations to all graduating this May and June. Good luck with your future endeavors!
It’s back: it’s another installment of Departments of JSI ! This is a series that highlights the different people that work within our company. We’re able to run such a large business through the expertise of and collaboration between our different departments. Everyone has a skill that they utilize to accomplish everything from coordinating rental trips to selling instruments to repairing instruments to shipping things on time and safely. This series will help you get to know the variety of people and jobs that are done here at JSI.
Our Customer Service Representatives are the people you talk to when you call us. They handle everything from rental account management to website questions and everything in between. We asked them some questions about themselves and their jobs:
What is your position at JSI?
Samantha Bates: Assistant Office Manager.
Anna Seda: I am a Customer Service Representative.
What does a typical day look like for you?
Sam: A typical day would be speaking with customers for placing orders or rentals, occasional training, going through many accounts for updates and information, creating rental account documents, going through rental account reports
Anna: My typical daytime work is at a desk. I help clients remotely with questions and sales orders from rental contracts to string accessories.
What is your main instrument?
Did you go to school for music?
Sam: Yes, I received my BM in Violin Performance at BU [Boston University].
Anna: I did! I studied cello performance at the University of Colorado and Suzuki Pedagogy at the University of Denver. I have a Master’s Degree from the Boston Conservatory and spent one additional year in the Conservatory’s competitive Graduate Performance Diploma program.
What is your favorite part of your job?
Sam: Working with musicians and like-minded individuals. It is a very unique environment when you have something so special like music that brings everyone together. We find music just as important as our customers, and therefore we have that connection that makes our staff and customer bond like nothing anywhere else.
Anna: I love string talk! I’ve been a cellist all my life and enjoy sharing my interests and knowledge with people getting into the culture of performance. I’m always learning from our inventory specialists and get to explore accessories, rosin, cases, and strings I wouldn’t normally get to try.
We all come to this question at some point in our playing careers. Our parents (or we as parents) have needed to make the all-important decision:
Do we rent or buy the instrument?
In most cases, beginners of all ages begin by renting. Why? There are a few important benefits to renting as a beginner:
Insurance. Our rental program comes complete with comprehensive instrument insurance that includes normal wear and tear, size exchanges, and replacing broken or damaged strings.
Low-risk commitment. Beginners tend to either be young or just that: beginners. Renting allows you to try out the instrument and gauge interest before making a serious financial commitment.
Rental Equity. At Johnson String, you build equity as you rent. 100% of the first year’s rent (excluding insurance and tax) plus 20% every subsequent year goes toward rental equity that can be used to purchase an instrument in the future.
Finances. We offer three levels of rental instruments, not only allowing beginners but more advanced players access to a quality instrument. This is great for when the player needs a new instrument of higher quality but you are not ready to make the financial commitment.
You are ready for the investment. Purchasing an instrument is a great investment for your musical future. With Carriage House’s trade-in policy, 100% of the purchase price goes towards an instrument of equal or greater value when you trade in your old instrument. This allows you to better your instrument as your skills grow and change.
Quality. While our rentals are well-maintained and high quality, they are still rental instruments. There comes a point when the player outgrows their rental and an instrument with a setup of higher quality is required. An instrument from our sales department is also not passed from renter to renter, and won’t have the same level of wear and tear. All instruments from our sales department also come with a one year warranty against defects in craftsmanship and materials.
Finances. Violinists should expect to spend at least $1,200, violists $1,500, and cellists $2,600 for the instrument alone. If you purchase the instrument, bow and case together as an outfit Carriage House Violins offers a 10% discount on the bow and case. You will also work with a sales consultant who is a player and can give you informed recommendations. In addition, we offer home trials with up to two instruments and three bows at a time. This is the perfect opportunity to try out new instruments in a variety of environments and to get teacher and peer feedback.
**An additional option is to purchase a rental outfit. Give us a call or stop in for more details.
But I still don’t know what to do!
We can still help! Use the flow chart below to determine what might work best for you:
Still not sure? Feel free to give us a call at 800-359-9351 or stop by our shop at 1029 Chestnut Street in Newton Upper Falls, MA for more information!
Learn more about our rental program here and our instrument sales here.
Violin is used in an astonishing range of genres, each style making different demands on the player. Ultimately, as we’ve mentioned before, you will need to experiment and find what works best for you. Some factors to consider are:
Style of playing: Different styles make different demands. Are you an orchestral musician? A soloist? A bluegrass fiddler? Play violin in a band? All of these are going to require different types of sound and therefore different types of strings.
Price Range: While it might not the same financial commitment as cello strings, high level violin strings can be pricey. It’s worth getting advice from your peers or talking to a luthier to find out what type of string would work best for your genre or instrument before making a purchase.
That infamous open E-string whistle: I’m sure many of you are hearing it as you read this. Whistling happens when the string vibrates in a twisting (torsional) motion instead of side to side. This can be caused by many different things, but essentially anything that impedes how the string vibrates can cause that sound. Some instruments are more susceptible to it than others, but most players have experienced this at least once in their lives. There are a few things that can fix this:
Make sure that your left hand is not touching the string at all.
Keep your bow closer to the bridge when you’re playing open E.
Use a wound E string.
Have a luthier check your setup. There could be something about it that is exacerbating the problem.
A note on E strings–many violinists will buy one set of strings for the bottom 3 strings and a separate E string, or a whole set of one brand of strings for the instrument (a generalization, but a preference we’ve noticed). Here is a list of preferred violin strings:
Check out our complete listing of violin strings here.
As always, feel free to call or stop by our Newton store for more recommendations!
The bass is arguably the most integral component of any group. Can you imagine a jazz standard without the bass line, or an orchestral masterwork without a bass section? As the instrument with the lowest range, the bass provides the foundation for almost all music we are familiar with. For all of its importance, it is also a surprisingly unknown instrument and one that invites myriad of questions, including the favorite “don’t you wish you played flute?”
(The answer is no, by the way.)
Whether you call it upright bass, double bass, string bass, or just bass, it is different from the rest of the string family in a few ways. First, it is tuned in fourths rather than fifths. It also sounds an octave lower than what the player reads on the page.
The two main genres people associate with the bass are jazz and classical. Each of these genres have their own use for the instrument and superstars who dominate the field. What are some of these differences?
In jazz, the bass is almost exclusively plucked. Classical repertoire requires both the bow and pizzicato. Bass is unique among string instruments in that it has two different types of bows and bow holds: French (similar to a cello bow) and German (held with an underhanded grip).
TYPES OF PERFORMANCE OPPORTUNITIES
Of course, there is always room for innovators in any genre (think Esperanza Spalding or Edgar Meyer), but these are the most prominent positions you can expect to see for bass players in the two this post addresses:
Bass players will need things like rosin (most popular are Pops, Nyman, and Carlsson), a wheel for transport, and a bib for comfort. Jazz players may also need a pickup on their instrument, an amp, or may even use an electric bass for ease of transportation among many other benefits. Brands that manufacture electric basses include Yamaha and NS.
Keep an eye out for more posts about bass in the future!
We’ve already talked about choosing strings in the general sense. However, what about the specific needs of the cello? There are many additional factors to consider:
Price: Cello strings are more expensive than those for other instruments. The G and C strings in particular are costly–a C string alone can run the same price as a full set of violin strings. Thankfully, a cellist’s C string is not as thin as a violinist’s E and will last longer.
Playing level: More expensive brands may not be necessary for beginning players, while less expensive brands may not provide enough color or nuance for more advanced players. Teachers will often have recommendations or preferences for their students, and what you prefer when you are first starting out will probably differ from what you prefer further into your playing career.
Style of playing: This does not refer to genre alone–how you play will also determine what you’re looking for. Have an aggressive playing style? You may need something different than someone who doesn’t.
Mixing and Matching: More so than violin, most cellists do not use a complete set of one brand. Many use two different brands for the top and bottom strings, while others go so far as to have different brands for all strings. You’ll need to experiment to find the right fit for your instrument. See the chart below for common preferences:
But what about electric cellos?
The same principle applies–you’ll need to experiment and see what works best for your instrument. Some brands make strings specifically for their instruments (like NS Design), but many electric cellos can use the same strings as an acoustic instrument. Be careful though; some pick-ups will require a specific type of string in order to function correctly.
When in doubt, talk to your luthier or salesperson–they will have invaluable firsthand knowledge that can help you find the right cello string for you.
That time of year has arrived! It’s holiday gig season, when you live in orchestra pits and churches while Tchaikovsky and Handel reign supreme. Whether you are a seasonal veteran, a newcomer on the scene, or just wondering how many more times you have to play the Hallelujah Chorus before your brain starts trying to escape through your ears, it can be a stressful and exhausting ordeal. Here are some tips to help keep you both healthy and sane:
Get organized as soon as possible. Calendars are your best friend, whether electronic or hand-written. Make sure to note call times and repertoire to avoid confusion the day of.
Use the commute to decompress. You may be traveling quite a distance for these gigs. Have some coffee or tea, something unrelated to your gig to listen to, and bring plenty of snacks.
Prepare for your venues. Orchestra pits can be dangerous places for your instrument; it’s a small, cramped space and accidents happen. Bows especially are in danger of damage, so whenever possible it’s advisable to use a carbon bow or at least not your best bow for these particular gigs. For churches, make sure you bring layers because it tends to get cold. Hand warmers and even long underwear are both invaluable at a frigid midnight mass.
Take care of your instrument! It’s working hard too. Have extra rosin and strings on hand, and humidify your instrument. Each gig is in a different environment, which means your instrument will need time to adjust. It’s your most valuable tool, so treat it as such.
Take care of yourself. Plan meals ahead of time, drink plenty of water, and sleep whenever/wherever you are able. Don’t try to suddenly change your lifestyle either–if you need to play a week’s worth of Nutcracker performances and then some, now is not the time to try and kick that caffeine habit.
Be safe. If you are too tired to drive after a gig, consider staying overnight somewhere or taking a quick nap/caffeine break before heading on the road. Stay on the lookout for inclement weather and adjust your travel plans accordingly. Leave enough time to get to and from gigs as well so you don’t have to rush.
Good luck to all in the holiday hustle. We wish you a safe holiday season!