Flying With Your Cello

Cello Blog

Flying with string instruments can be a stressful experience. With the number of horror stories clogging our news feeds in recent years detailing airline mishaps, it’s no wonder we get nervous taking our instruments with us when we fly. However, things are beginning to look up; under the new Department of Transportation (DOT) ruling that went into effect March 6, 2015, airlines are now required to allow small instruments in the cabin as part of a passenger’s carry-on allowance. Just like any other luggage, as long as it can fit in the overhead compartment or under the seat the airline cannot refuse to carry the instrument. This ruling is a huge victory for musicians, in particular string players, everywhere.

But what about cellos?

While the DOT ruling is very clear in regard to smaller instruments, it is not as definitive when it comes to larger ones. With cellos, standard practice is one of two things: use a flight case and gate check the instrument or purchase another seat in the cabin. Both options have their benefits and disadvantages, so it is up to you to decide what you are most comfortable with.

Airport

PUTTING YOUR CELLO IN CHECKED BAGGAGE

  1. Make sure you have a sturdy flight case or cover you can use. Covers normally go around a hard case, while dedicated flight cases are heavy-duty and designed to protect the instrument without additional parts. They can be purchased or rented depending on the type you are looking for. Just as you would a package, mark it clearly as FRAGILE, MUSICAL INSTRUMENT, or any other polite message that states it needs to be treated with care.
  2. Make sure your instrument is padded within the case. Use wadded tissue paper, cloth, or old clothes to support the bridge, fingerboard, and tailpiece as well as around the sides of the instrument to prevent any jostling around inside the case. If you are concerned about the tension, tune your strings down by a half step to a third. The safest option, if possible, is to have a luthier take down the entire setup and have another set it back up when you arrive at your destination.
  3. Understand that others will be handling your instrument and plan accordingly. There is a lot of baggage to handle and things are not always treated as delicately as they should be–we’ve all watched luggage being loaded onto a plane. It is also possible that the case may be opened, and non-players do not always know how to safely put everything back. Emphasize nicely that it is a delicate musical instrument, but make sure steps 1 and 2 are in place as well.

Plane Interior

BRINGING YOUR CELLO INTO THE CABIN

  1. When buying your extra ticket (which should always be done), make sure you are not buying a seat where the cello will block any emergency exits or signs. Airlines can make a case to have the instrument checked if it threatens passenger safety, so check sites like Seat Guru to maximize both your comfort and the safety of your cello.
  2. Contact the airline when you buy the ticket to make sure everything follows their safety policies. This will ensure you are in compliance and allow you to confirm you provided advance notice about the cello.
  3. Some cellists have been able to fit their instruments in the overhead compartments of larger planes. This is something that cannot be guaranteed, but if you are thinking of trying it there are a few things to keep in mind:
    • Board early. If you need to pay extra to do so, it may be worth it to ensure that you have enough space to get your instrument in the overhead first. Like the DOT ruling says, if it fits in the overhead compartment and you put it there first, your instrument is entitled to stay there.
    • Some cases work better than others. Most anecdotal evidence of cello cases fitting in these compartments happened with the Accord cases, specifically the Hybrid and the UltraLight.
  4. THE AIRLINE MAY NOT CHARGE YOU MORE THAN THE COST OF THE SEAT FOR THE INSTRUMENT. To quote directly from the final ruling: “…assuming all of the safety requirements are met, carriers cannot charge the passenger more than the price of a ticket for the additional seat….” This doesn’t mean that if you decide to upgrade your seat your cello gets a free bump. It also doesn’t mean that you are exempt from fees that are normally posed on carry-on items or cargo. What it does mean is that they cannot charge you extra just because a cello is occupying the seat instead of a human being.

Plane in Rearview Mirror

GENERAL ADVICE FOR FLYING WITH A CELLO

  1. Check your instrument insurance. There is a limit to an airline’s liability if your cello is lost, damaged, or delayed. In many cases this only covers a fraction of the instrument’s value. Make sure you are covered for air travel by your insurance provider.
  2. Arm yourself with information: bring a copy of the DOT ruling and your airline’s instrument policy with you. Be firm but polite if an issue arises.
  3. Make sure you have a high-quality hard case, such as the ones found in our store or on our website. If you are purchasing a seat for your instrument, make sure it’s a lighter and less bulky case such as Bam, Musilia, Accord, or Galaxy. If you have a flight cover for checking your cello, make sure the case will fit inside the cover.
  4. Check in as early as possible. It may take longer to do so and get through security because of the instrument. Make sure to leave yourself enough time so that you are not running for the gate. If you comfortable doing so, paying for early boarding will also give you a space advantage when getting your instrument situated in the cabin.

Hopefully with these tips in mind, both you and your cello will have a safe flight. Be sure to visit the DOT webpage for more information about traveling with instruments.

Copyright © 2015 · All Rights Reserved · Silvija Kristapsons

 

 

JSI vs. Dunn Gaherin’s Softball Game!

In the last game of the season, JSI lost to Dunn Gaherin’s 16-14 despite an incredible 8 run comeback in the final inning. It all began when a representative from Dunn Gaherin’s, an Irish bar across from us on Elliot Street, walked over to challenge us to a game of softball back in July. While we lost to their more established team, we have been giving them a run for their money the past two games with the help of some extra batting practice.

Check out photos from the games below, and be sure to visit our neighbors and softball rivals Dunn Gaherin’s for great food, drinks, and fun!

Johnson String in the field while Dunn's bats during Game 3.

Johnson String in the field while Dunn Gaherin’s bats during Game 3.

 

Someone thought our warm ups were an elaborate game of fetch.

Someone thought our warm ups were an elaborate game of fetch.

 

Luckily that someone was also very friendly.

Luckily that someone was also very friendly.

 

Getting a quick batting practice in before the game.

Getting a quick batting practice in before the game.

 

Luthier Colin Skofield at bat.

Luthier Colin Skofield at bat.

 

The two teams celebrating a great Game 1 at Dunn-Gaherin's.

The two teams celebrating a great Game 1 at Dunn-Gaherin’s. Photo credit: Dunn-Gaherin’s

Copyright © 2015 · All Rights Reserved · Silvija Kristapsons

 

Districts are Coming: Preparing for an Audition

Bach has a question for you....

Every student’s worse nightmare: Bach judging your district audition.

Auditions got you worried? Not sure how to prepare? We’ve got you covered! Many of us at Johnson String Instrument have gone through auditions so we’ve been there. We asked our staff to share their tips and tricks to help you do the best that you can. They had some great advice:

1. Relax! Breathe! Try not to get too worked up about it. Every musician (even the judges!) has had to go through auditions, and everyone knows it’s a nerve-wracking experience.

2. Scales! Practice scales! More scales and arpeggios! I missed out on senior districts by bombing the scales because of a combination of nerves and not practicing enough.  Get the format down, make them second nature, and that will help you not only with scales but also with sight-reading.

-Alex Wagner, Product and Inventory Specialist, violinist

1. Be sure to listen to the entire piece. The audition committee can tell if you are hearing how your part interacts with the rest of the ensemble. Hearing the piece as a whole rather than just your part is the difference between a good instrumentalist and a good musician.

2. Perform your audition rep for as many people as possible before the audition. I know it can feel awkward or embarrassing but that’s the point! Better to get all the jitters out in front of friends/family than the audition committee.

-Sara Wilkins, Customer Service Representative, cellist

My biggest piece of advice would be not to practice for several hours on the day of an audition. The truth is that your repertoire is as good as it’s going to get that day. A great alternative to playing through the music over and over is to come up with a ritual that helps you feel calm and focused. A couple methods I’ve used are to play a scale (slowly) with all of its arpeggios or to eat a piece of my favorite chocolate while I warm up.

-Sarah Rogers, Administrative Assistant, violinist

1. Be able to play excerpts in any order presented. Be able to switch from fast and technical to slow and calm.

2. Play for non-string players. If you have rhythm issues play for drummers. Excerpts that have tricky shifts or string crossings, play for flute or other wind players; they are less forgiving about string player-specific issues.

3. Tape and film yourself to look for areas that need improvement.

4. Be ready at least a week before the audition, and relax.

-Jon Crumrine, Bow Maker, violist

Set a box of doughnuts (or preferred favorite treats) in the corner of the audition room. Whenever you get nervous, look at them & feel relieved 🙂
Then treat yourself afterwards!

-Amy Nolan, Store Manager, cellist

1. Get plenty of sleep.

2. Eat well.

3. Live healthily.

4. Play your audition for anybody who will listen, especially if they might have some constructive advice.

5. Read all of these books by Don Greene, and practice the techniques found therein with diligence and devotion.

-Phil Rush, Sales Consultant, violist

Still need to purchase your music for districts? Stop into our store or visit our website, and good luck to all auditioning in the coming months!

Copyright © 2015 · All Rights Reserved · Silvija Kristapsons

Choosing Strings and the Thomastik Back to School Sale!

Choosing the Right Strings

Choosing strings for your instrument is a personal and complicated process. With so many options available on the market, it can be difficult to know where to start. Luckily, we are here to help!

Here are some important factors to keep in mind:

What style of playing do you do? What works for a classical player may not work for a jazz musician or fiddler and vice versa. Different genres call for different types of sound, which can be achieved with different kinds of strings.

How do you characterize your instrument’s sound? Strings have the ability to enhance or stifle the particular qualities of your instrument. In order for them to help rather than hinder, know how to characterize your instrument’s sound. Is it dark or bright? Mellow or piercing? This knowledge will help you work with your instrument rather than against it.

What are you looking for? Do you want to brighten the sound? Tone down the power? Speed up response? Slow it down? Knowing what you are looking for helps make sure your strings accommodate your needs.

 

There are three basic types of strings: gut, steel core, and synthetic core. Keep in mind that the majority of players today use steel or synthetic core strings. The basic differences are:

Gut

Steel

Synthetic

  • Warm, complex sound
  • Softer under the fingers
  • Unstable tuning
  • Long settling period
  • Shorter playable life
  • Sensitive to changes in climate
  • Stable tuning, settle quickly
  • Direct and cutting sound
  • Thinner sounding than gut or synthetic
  • Warmer than steel core strings
  • Stable tuning and settle quickly
  • More subtle tonal colors than steel
  • Most widely-used type of string today
  • Similar tonal qualities to gut

 

**Keep in mind these are generalizations. Each type of string will perform differently for different instruments, and the varying qualities of each will appeal to some and push away others**

Experimenting with strings involves trial and error. Now through October 9th, Thomastik is having their back-to-school sale on select string sets and bundles for all instruments, making this a better time than ever to try something new with your strings. As always, our string prices are up to 55% below list price.

For more detailed information about the different kinds of strings we offer and their differences, please visit our website.

Copyright © 2015 · All Rights Reserved · Silvija Kristapsons