How to Choose Your College

Choose College Blog HeaderYOU DID IT! You navigated the applications, survived the auditions, and received your acceptance letters. Take a moment to bask in the glow of your accomplishments.

(Go ahead, do it–you deserve it!)

Now for the reality check: How do you decide where to go? You can make a pro/con list, solicit advice from friends and teachers, talk to your parents and take whatever steps you need to help make this decision. Here are a few things to keep in mind as you go through this process:

Choose College Finances Title

For most families, this is the biggest concern. Maybe the school you had your heart set on didn’t offer you enough financial aid, or you didn’t receive as much aid as you hoped all around. First take a look at the type of aid you’ve been offered.

  • Government aid is determined by your FAFSA and is essentially set in stone once it’s awarded. This does NOT come through the school itself. For some government aid, the earlier you complete your FAFSA the more aid you get so make sure to complete it as soon as possible.
  • Scholarships and grants are awarded by the school and can be a little more flexible.

Concerned you didn’t receive enough? The best thing you can do is contact the school’s financial aid office and ASK. There is a possibility you can find more money through scholarships or grants, or they will have advice on securing a loan from an independent lender. This can also be helpful once you are in the school and can prove your commitment and financial need. Whatever you decide to do financially, make sure you consider the investment before you commit to a school; it may be a well-chosen debt if you are comfortable taking it on for a school you are passionate about and can advance your playing and your career. However, don’t put yourself in a financial hole you aren’t OK with getting out of.

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If you didn’t visit a school you’re considering during auditions, now is the time to do so. Go to those welcome parties and information sessions they’re offering! It’s a great way to meet professors, administration, and possibly future classmates. Get a feel for the school, since it’s the place you’ll possibly spending the next four years of your life. Make sure to also take a test lesson with the teacher while you are there, as they will be one of your biggest mentors during your time there. Sit in on a masterclass or lecture if possible. In short, do everything you can to experience what it would be like to go to this school so you can make an informed decision.

Don’t forget to consider the location of the campus too! As we said before when choosing where to apply, know what you’re comfortable with distance-wise and what kind of environment you thrive in. If you despise being in the middle of nowhere, that cute college you visited that borders nothing is probably going to drive you crazy. Keep in mind too what kinds of opportunities are available, musical and otherwise. Some schools have stronger chamber music programs, others are great for learning orchestral repertoire. Find out about the local music scene in the community too, especially if you are interested in pursuing a non-classical career. It is even worth it to see if you can take non-musical classes as well if that’s what you are interested in. Whatever it is you are passionate about, make sure it’s available in some form.

Music schools, whether they are stand-alone conservatories or a school within a larger university, tend to be on the smaller side. For some, a larger school provides freedom to explore new things independently and to carve their own path. Others need more individualized attention and ongoing guidance in order to succeed. Think about what would work best for you and see if you can talk to current or former students. They’ll have valuable insight on the things you can’t determine from a quick campus visit, everything from where to live freshman year to whether they feel supported by teachers and administration.

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Is everything pointing one way but your instincts are screaming against it? Listen to them. Nervous that you made the wrong choice? This choice is not the be all end all–plenty of people transfer once they realize that the school they chose does not offer something they are looking for. The best thing you can do is decide what you want (or don’t want), gather all of the information you can to make an informed decision, and go for it.

Congratulations to everyone choosing colleges!

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Copyright © 2016 · All Rights Reserved · Silvija Kristapsons

Rent or Buy?

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We all come to this question at some point in our playing careers. Our parents (or we as parents) have needed to make the all-important decision:

Do we rent or buy the instrument?

Why Rent?

In most cases, beginners of all ages begin by renting. Why? There are a few important benefits to renting as a beginner:

  1. Insurance. Our rental program comes complete with comprehensive instrument insurance that includes normal wear and tear, size exchanges, and replacing broken or damaged strings.
  2. Low-risk commitment. Beginners tend to either be young or just that: beginners. Renting allows you to try out the instrument and gauge interest before making a serious financial commitment.
  3. Rental Equity. At Johnson String, you build equity as you rent. 100% of the first year’s rent (excluding insurance and tax) plus 20% every subsequent year goes toward rental equity that can be used to purchase an instrument in the future.
  4. Finances. We offer three levels of rental instruments, not only allowing beginners but more advanced players access to a quality instrument. This is great for when the player needs a new instrument of higher quality but you are not ready to make the financial commitment.

Why Buy?

  1. You are ready for the investment. Purchasing an instrument is a great investment for your musical future. With Carriage House’s trade-in policy, 100% of the purchase price goes towards an instrument of equal or greater value when you trade in your old instrument. This allows you to better your instrument as your skills grow and change.
  2. Quality. While our rentals are well-maintained and high quality, they are still rental instruments. There comes a point when the player outgrows their rental and an instrument with a setup of higher quality is required. An instrument from our sales department is also not passed from renter to renter, and won’t have the same level of wear and tear. All instruments from our sales department also come with a one year warranty against defects in craftsmanship and materials.
  3. Finances. Violinists should expect to spend at least $1,200, violists $1,500, and cellists $2,600 for the instrument alone. If you purchase the instrument, bow and case together as an outfit Carriage House Violins offers a 10% discount on the bow and case. You will also work with a sales consultant who is a player and can give you informed recommendations. In addition, we offer home trials with up to two instruments and three bows at a time. This is the perfect opportunity to try out new instruments in a variety of environments and to get teacher and peer feedback.

**An additional option is to purchase a rental outfit. Give us a call or stop in for more details.

But I still don’t know what to do!

We can still help! Use the flow chart below to determine what might work best for you:

Rent or Buy Flowchart

 

Still not sure? Feel free to give us a call at 800-359-9351 or stop by our shop at 1029 Chestnut Street in Newton Upper Falls, MA for more information!

Learn more about our rental program here and our instrument sales here.

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Copyright © 2016 · All Rights Reserved · Silvija Kristapsons

Find the best violin strings for your playing

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We’ve highlighted the general search for strings, and talked about the particular challenges facing cellists. Now, we’re entering the world of violin strings.

Violin is used in an astonishing range of genres, each style making different demands on the player. Ultimately, as we’ve mentioned before,  you will need to experiment and find what works best for you. Some factors to consider are:

Style of playing: Different styles make different demands. Are you an orchestral musician? A soloist? A bluegrass fiddler? Play violin in a band? All of these are going to require different types of sound and therefore different types of strings.

Price Range: While it might not the same financial commitment as cello strings, high level violin strings can be pricey. It’s worth getting advice from your peers or talking to a luthier to find out what type of string would work best for your genre or instrument before making a purchase.

That infamous open E-string whistle: I’m sure many of you are hearing it as you read this. Whistling happens when the string vibrates in a twisting (torsional) motion instead of side to side. This can be caused by many different things, but essentially anything that impedes how the string vibrates can cause that sound. Some instruments are more susceptible to it than others, but most players have experienced this at least once in their lives. There are a few things that can fix this:

  1. Make sure that your left hand is not touching the string at all.
  2. Keep your bow closer to the bridge when you’re playing open E.
  3. Use a wound E string.
  4. Have a luthier check your setup. There could be something about it that is exacerbating the problem.
  5. Many violinists swear by the Kaplan Solutions Non-Whistling E string or the Pirastro No. 1 E string.

A note on E strings–many violinists will buy one set of strings for the bottom 3 strings and a separate E string, or a whole set of  one brand of strings for the instrument (a generalization, but a preference we’ve noticed). Here is a list of preferred violin strings: 

Popular Violin Strings Chart

Check out our complete listing of violin strings here.

As always, feel free to call or stop by our Newton store for more recommendations!

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Copyright © 2016 · All Rights Reserved · Silvija Kristapsons

Upright bass: integral to jazz and classical music

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The bass is arguably the most integral component of any group. Can you imagine a jazz standard without the bass line, or an orchestral masterwork without a bass section? As the instrument with the lowest range, the bass provides the foundation for almost all music we are familiar with. For all of its importance, it is also a surprisingly unknown instrument and one that invites myriad of questions, including the favorite “don’t you wish you played flute?”

(The answer is no, by the way.)

Whether you call it upright bass, double bass, string bass, or just bass, it is different from the rest of the string family in a few ways. First, it is tuned in fourths rather than fifths. It also sounds an octave lower than what the player reads on the page.

The two main genres people associate with the bass are jazz and classical. Each of these genres have their own use for the instrument and superstars who dominate the field. What are some of these differences?

TECHNIQUE

In jazz, the bass is almost exclusively plucked.  Classical repertoire requires both the bow and pizzicato. Bass is unique among string instruments in that it has two different types of bows and bow holds: French (similar to a cello bow) and German (held with an underhanded grip).

TYPES OF PERFORMANCE OPPORTUNITIES

Of course, there is always room for innovators in any genre (think Esperanza Spalding or Edgar Meyer), but these are the most prominent positions you can expect to see for bass players in the two this post addresses:

Bass performance chart

 

ACCESSORIES

Bass players will need things like rosin (most popular are Pops, Nyman, and Carlsson), a wheel for transport, and a bib for comfort. Jazz players may also need a pickup on their instrument, an amp, or may even use an electric bass for ease of transportation among many other benefits. Brands that manufacture electric basses include Yamaha and NS.

Keep an eye out for more posts about bass in the future!

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Copyright © 2016 · All Rights Reserved · Silvija Kristapsons