Upright bass: integral to jazz and classical music

Upright Bass Blog Header Image

The bass is arguably the most integral component of any group. Can you imagine a jazz standard without the bass line, or an orchestral masterwork without a bass section? As the instrument with the lowest range, the bass provides the foundation for almost all music we are familiar with. For all of its importance, it is also a surprisingly unknown instrument and one that invites myriad of questions, including the favorite “don’t you wish you played flute?”

(The answer is no, by the way.)

Whether you call it upright bass, double bass, string bass, or just bass, it is different from the rest of the string family in a few ways. First, it is tuned in fourths rather than fifths. It also sounds an octave lower than what the player reads on the page.

The two main genres people associate with the bass are jazz and classical. Each of these genres have their own use for the instrument and superstars who dominate the field. What are some of these differences?

TECHNIQUE

In jazz, the bass is almost exclusively plucked.  Classical repertoire requires both the bow and pizzicato. Bass is unique among string instruments in that it has two different types of bows and bow holds: French (similar to a cello bow) and German (held with an underhanded grip).

TYPES OF PERFORMANCE OPPORTUNITIES

Of course, there is always room for innovators in any genre (think Esperanza Spalding or Edgar Meyer), but these are the most prominent positions you can expect to see for bass players in the two this post addresses:

Bass performance chart

 

ACCESSORIES

Bass players will need things like rosin (most popular are Pops, Nyman, and Carlsson), a wheel for transport, and a bib for comfort. Jazz players may also need a pickup on their instrument, an amp, or may even use an electric bass for ease of transportation among many other benefits. Brands that manufacture electric basses include Yamaha and NS.

Keep an eye out for more posts about bass in the future!

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Copyright © 2016 · All Rights Reserved · Silvija Kristapsons

Departments of JSI: Rental Workshop

Departments of JSI is back! This is a series that highlights the different people that work within our company. We’re able to run such a large business through the expertise of and collaboration between our different departments. Everyone has a skill that they utilize to accomplish everything from coordinating rental trips to selling instruments to repairing instruments to shipping things on time and safely. This series will help you get to know the variety of people and jobs that are done here at JSI.

If you have ever rented an instrument from JSI, you’ve reaped the benefits of our in-house rental workshop.  Our head luthier, Sef Gray, agreed to answer some questions about what he does:

How did you become a luthier?

I played violin growing up and when it became time to go to college I was looking at woodworking/sculpture. My violin teacher’s husband made her violin and he helped me find a bunch of local luthiers to talk to. They all seemed like they did the sort of work I could see myself doing. I decided to I wanted to make/repair instruments because of the hands on nature of the craft and I also found it very interesting to do work that would support musicians. I applied to 2 violin making schools and went to North Bennet Street School. While studying at NBSS I built 8 instruments and learned some repair techniques.

What is your favorite part of your job?

I find it rewarding that the work I do helps musicians do their job and bring music to their communities. I build instruments outside of my job at JSI and I am always amazed that I can make a tool for musicians to play. It is so exciting to hear an instrument for the first time after all the work you have put into it.

What advice would you give to someone looking into becoming a luthier?

I would encourage someone  interested in becoming a luthier to reach out to local makers or repair people to see what the work environment is like and what the work is like. It is challenging work and takes a long time to get comfortable working with the level of detail and patience that is required to be a luthier. Go to a violin making school and take a tour.

Don’t miss a post-subscribe to our blog!

Copyright © 2015 · All Rights Reserved · Silvija Kristapsons

The Johnson String Instrument Blog

Greetings, string-playing fans!

Welcome to Johnson String Instrument’s blog site, a place where information about stringed instruments and accessories, players and teachers, concerts and events, and more will be shared!


We hope you can visit us in person at our beautiful location in Newton Upper Falls, Massachusetts!

Downstairs, at Carriage House Violins, you can play instruments and bows in private trial rooms or in our onsite concert hall. Please contact us at info@carriagehouseviolins.com to make an appointment with one of our knowledgable sales consultants.

In the Carriage House Violins Workshop, you can meet with one of our talented luthiers about instrument restoration and repair, custom setups, and tonal adjustments. Our exceptional bow technicians provide expert bow rehairs, repairs, and restoration. Please contact us at info@carriagehouseviolins.com to schedule a consultation for a repair, tonal adjustment, or bow rehair!

Upstairs, at Johnson String Instrument, set up a rental account, browse our selection of stringed instrument supplies, or try out the electric and fretted instruments. You can also consult with us about double bass and fretted instrument repair at the Guitar & Bass Shops. Contact us for more information at info@johnsonstring.com!

 

We look forward to serving you for all of your stringed instrument needs!