Famous Pedagogues of the String Instrument World

It’s back-to-school time!   Whether students are in the building or learning remotely this school year, teachers are working hard to make sure their students are getting the best education they can offer.  This blog post celebrates some of the most famous pedagogues in the string instrument world throughout history and their influence on today’s music students.

Rodolphe Kreutzer (1766-1831)

Kreutzer was born in Versaille, France on November 16, 1766.  He studied violin with his father, then with Anton Stamitz (1750-c. 1809) and Giovanni Battista Viotti (1755-1824).  He met Beethoven in 1798 on a European tour.  Without Kreutzer’s knowledge, Beethoven dedicated his Sonata in A Major, opus 47 to him.  Kreutzer himself composed 19 violin concertos and 40 operas.  He passed away in Geneva, Switzerland on January 6, 1831.

As a teacher, he was one of the founding violin professors at the Conservatoire de Paris, and taught there from 1795-1826.  A famous pedagogue that co-wrote the violin curriculum for the conservatory, he is considered one of the founders of the French violin school.  His method book, the 42 Studies or Caprices (ca. 1796) is still a popular method book used by many violin students. It has been transcribed for viola and cello

Lillian Fuchs (1901-1995)

Fuchs was born in New York City on November 18, 1901 to a musical family – her brothers Joseph and Harry played the violin and cello.  Her music education began by studying violin with her father and later with Franz Kneisel at the Institute of Musical Art (now the Julliard School).  Fuchs began her career on violin in 1926, but quickly shifted to viola.  She became a highly respected string player, performing with chamber groups and as soloist with major orchestras like the New York Philharmonic,  and passed away on October 5, 1995.

Fuchs also had an exceptional career teaching at some of the most renowned music schools around the country, including the Manhattan School of Music and Julliard.  Among her most notable students is Isaac Stern.  During her teaching career, she composed two method books for viola:  16 Fantasy Études and 15 Characteristic Studies.

David Popper (1843-1913)

Popper was born in Prague, Bohemia on June 16, 1843.  He studied under cellist Julius Goltermann (1825-1876) at the Prague Conservatory.  Conductor and pianist Hans von Bülow recommended Popper to become Chamber Virtuoso for the court of Prince Constantin (1801-1869). He composed works for cello, including four concertos, a Requiem for three cellos and orchestra, and a number of pieces for cello and piano.  He passed away on August 7, 1913 near Vienna.

At the Conservatory at Budapest, he taught many cellists who would go on to have successful careers, including Adolf Schiffer, who was János Starker teacher.  In addition to his compositions, Popper wrote a collection of études called High School of Cello Playing.

Franz Simandl (1840-1912)

Simandl started his career by studying double bass at the Prague Conservatory with Josef Hrabe (1816-1870).  After his studies, he became the principal bassist in the Vienna Court Opera Orchestra.  He was professor of double bass studies at the Vienna Conservatory from 1869-1910.

As a pedagogue, Simandl was extraordinarily influential in double bass studies.  He wrote his method book, New Method for the Double Bass, during his tenure at the Vienna Conservatory.  Simandl said the purpose of the book was to provide the first complete double bass method that is not only thorough, but also easily accessible[1]

Special thanks to Yoonhee Lee, John Guarino, Phil Rush, and Robert Mayes of Carriage House Violins for their assistance.


[1] Franz Simandl, New Method for the Double Bass (New York: Carl Fischer, Inc., 1904), 3.

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Copyright © 2020 · All Rights Reserved · Stephen Loikith

Yamaha Electric Violins: Power and Performance

Congratulations, you decided to get one of the Yamaha electric violins: the YEV or the SV-200! How do you decide which one is right for you? Let’s take a look at the different instruments:

The Yamaha YEV Electric Violin

The newest of Yamaha’s electric violins and a bestseller, this instrument won Best in Show at Winter NAMM in 2016. It’s not hard to see why between it’s Mobius-inspired design and practical features. Created specifically for performance, the lightweight YEV has a built-in piezo pickup with a ¼” passive output. This means the instrument doesn’t require a battery. You can get the YEV in two different natural wood finishes and as a four- or five-string model.

This instrument is perfect for someone looking for an electric violin priced under $1000 exclusively for performance.

The Yamaha SV-200 Silent Violin

The veteran of the group, the SV-200 Silent Violin has one major difference that sets it apart from the YEV: a headphone jack. This allows for “silent” practice in addition to its standard ¼” output for performance. It includes an onboard preamp which requires a 9-volt battery, EQ adjustments that work with professional audio equipment, and dual piezo pickups for a larger dynamic range and resolution. The SV-200 is available in 4 colors.

This instrument is perfect for someone who needs something for silent practice as well as performing.

Yamaha Electric Violins: YEV vs. SV-200

Looking for something that the Yamaha electric violins don’t offer? Learn more about finding the right electric instrument and check out our complete selection of electric instruments online and in store. Our staff are always happy to help you decide which instrument works best for you!

Lesser-Known Soviet Era Composers

This April, we celebrate the birthdays of two influential Soviet Era composers: Sergei Rachmaninoff (April 1st) and Sergei Prokofiev (April 23rd). Rachmaninoff is known for his soaring, romantic melodies, while Prokofiev’s music is more dissonant and fantastical. Along with Shostakovitch and Stravinsky, they brought international attention to Russian music, often in exile from or direct defiance of the Soviet government. Many other Russian Soviet Era composers made significant musical contributions, yet their works are obscure and under-performed. Here are just a few of these composers:

Reinhold Glière

REINHOLD GLIÈRE (January 11, 1875 – June 23, 1956) made his name with folkloric pieces like his Slavonic epic Symphony No. 3 ‘Ilya Muromets,’ as well as an excellent body of chamber music. He taught Miaskovsky, featured below, and a young Prokofiev. He later conducted musical research in Azerbaijan and Uzbekistan. Today, his most played works are his string duos and numerous works for double bass.

Nikolai Roslavets

NIKOLAI ROSLAVETS (January 4, 1881 – August 23, 1944) was a modernist composer, deeply influenced by Scriabin, as well as Schoenberg’s twelve-tone serialism. Fiercely outspoken about artistic liberty, he was among the first to be targeted by the Soviet Union’s political purges. His string works include two violin concerti, viola and cello sonatas, and many shorter violin works.

Nikolai Miaskovsky

NIKOLAI MIASKOVSKY (April 20, 1881 – August 8, 1950), known as the “Father of the Soviet Symphony,” composed 27 of them. He was good friends with Shostakovitch and Prokofiev, and taught Khachaturian and Kabalevsky. He was an introspective composer, a quality exemplified in his cello concerto.

Mieczysław Weinberg

MIECZYSŁAW WEINBERG (December 8, 1919 – February 26, 1996) was a Jewish Polish composer who fled the Holocaust to live in Russia. He struggled to be recognized by the Soviet musical establishment, and narrowly escaped execution by the Stalinist government. He enjoyed a close friendship with Shostakovich, and the two frequently exchanged musical ideas. Weinberg was prolific – he wrote twenty-two symphonies, seventeen string quartets, and many works for solo strings.

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Copyright © 2019 · All Rights Reserved · Nate Faro

Women Composers You Should Know About: Part Two

This Women’s History Month, we honor women of the past and present and acknowledge not only their accomplishments but also their struggles and hard work to attain sometimes the barest recognition from society.
The vast sheet music collection of Johnson String Instrument includes music by countless other past and present women composers, all available for purchase.

Credit: Kuandi Photos

CHEN YI 陳怡 (b. April 4, 1953) is an award-winning Chinese composer and violinist. As a young musician, Chen’s European-influenced education was cut short by the Cultural Revolution. She practiced in secret, before being sent to perform hard labor at a commune, where she became exposed to Chinese folk culture. When she returned to her hometown of Guangzhou at 17, she became concertmaster of the Beijing Opera Troupe. She became the first woman to receive a M.A. in composition from Beijing’s Central Conservatory for the Arts. Her music has been played by such artists as Yo-Yo Ma, Yehudi Menuhin, and Evelyn Glennie. As in Memory for Solo Cello, Chen blends Western classical elements with Chinese folksong.

AUGUSTA READ THOMAS (b. April 24, 1964) is a prominent American composer. Her music has been performed by Mstislav Rostropovich and played under the baton of Pierre Boulez. She has held teaching positions at the Eastman School of Music, Northwestern University, and the University of Chicago. Though her music is thoroughly notated, it has been characterized as organic and free, and described in her own words as “captured improvisation”. Her work Silent Moon for Violin and Viola embodies this style, with numerous passages containing rubato, cadenzas, and advanced rhythms.

Hear Augusta Read Thomas discuss her work in a May 2018 interview with the Milwaukee Symphony Orchestra
Photo © Bernie Mindich

JOAN TOWER (b. September 6, 1938) is one of the most successful American composers today. Her music developed in the serialist tradition started by Schoenberg, before branching out into a more impressionist sound. She became the first woman to win the prestigious Grawemeyer  Award for her work Silver Ladders, and has won three Grammy Awards for her album “Made in America”. She is perhaps most renowned for her set of Fanfares for the Uncommon Woman. Her solo violin work Second String Force is an advanced work with visceral energy and technical challenges.

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Copyright © 2019 · All Rights Reserved · Nate Faro