Your teacher tells you you’re starting a new piece. You go to buy the sheet music, only to discover there are multiple editions to choose from.
Which edition do you choose?
The easy answer? The one your teacher tells you to buy. They like that edition and want you to get it for a reason. If they don’t have a preferred edition, it’s up to you to decide. While finances sometimes dictates that choice, here are a few things you should know about choosing sheet music:
What Do I Look For?
Everyone has different priorities when choosing an edition, but here are some things to keep in mind while browsing sheet music:
Is it easy to read? Can you read the notes? Are articulations clearly marked? It’s a good idea to look at different editions in person. Compare them side-to-side and see which one is easier for you to read.
Are there a lot of marked bowings and fingerings? These are easily changed with a quick pencil scribble. However, if too many are already marked in the part it can start to look messy if you need to fix them. Some people prefer to get sheet music with the least amount of bowings and fingerings so they can clearly mark their own.
Does it lie flat? Does the sheet music lie flat on the stand, or would you have to secure it? Would you have to break the binding to get it to stay where you need it to?
Price: More expensive editions cost more for a reason. You may find it helpful, or you may not notice a difference.
Is it Urtext? This only applies to certain pieces, but sometimes it’s helpful to use an urtext edition instead of a more modern one.
We pride ourselves on our sheet music selection at Johnson String. Stop in to compare in person or visit us online. We also do special orders; contact our sheet music specialist, Joan Faber at firstname.lastname@example.org.
It’s time for another installment of Departments of JSI! This is a series that highlights the different people that work within our company. We’re able to run such a large business through the expertise of and collaboration between our different departments. Everyone has a skill that they utilize to accomplish everything from coordinating rental trips to selling instruments to repairing instruments to shipping things on time and safely. This series will help you get to know the variety of people and jobs that are done here at JSI.
The Front Staff are among the most visible departments in our company. If you’ve ever come in to our Newton location, you have probably talked to a member of our front staff. They handle everything from rentals to selling merchandise to fitting chin and shoulder rests. We asked them to answer some questions about themselves and their jobs:
Julie Metcalf: I am the Assistant Store Manager at JSI.
Amy Nolan: Store Manager
What is your favorite part of your job?
Justin: Finding the perfect instrument for a player, whether that be a first time student or a more advanced musician looking for a forever instrument. The process of pairing an instrument to a player is very rewarding.
Julie: The most exciting thing we do in the storefront is rentals! All kinds of people, young and old, come in each day looking to play an instrument for the first time. It is magical to share with them my joy and enthusiasm for music. I take care to help them select the right instrument and set them up with evrything they need to get started. Rental customers come in each day with many different needs: maybe the player grew and needs a bigger size, or there’s an open seam on a rental cello, or a violinist has a broken E string. It’s rewarding to be able to help people on their musical journeys.
Amy: Helping everyone from kids to adults find joy in music!
What does a typical day look like for you?
Justin: A typical day can include setting up each guitar to a tight specification to ensure proper playability, intonation, and quality. Working with customers to find them the perfect guitar, mandolin, or ukulele. Scheduling and/or visiting a school program to service students’ instruments to ensure that they are practicing on the highest quality rental instruments possible.
Julie: I work in the storefront every day, assisting customers who come in the door. I do a little bit of everything: helping people find sheet music, advising them on strings, fitting chinrests and shoulder rests, and showing accessories like cases and music stands.
Amy: Everything from renting instruments to new players and helping advancing players select higher quality instruments to working with local teachers to make sure they have everything they need for their students. I enjoy working with staff at all levels of the company to ensure great levels of customer service and a love of music all around.
What is your main instrument?
Justin: I have played violin since the age of 7 and started playing guitar in middle school. I have always been a jack of all trades and “master” of none. Anything with strings I can probably play it. But if you were to force me to pick one, I suppose it would have to be guitar as that is what my degree is in.
Julie: Violin. I have played many different styles of music on violin and viola. I mostly play fiddle for contra and square dances in the Boston area. I also play jawharp, and I am learning banjo and guitar.
Did you go to school for music?
Justin: I went to the University of Maine and double majored in music education and classical guitar performance.
Julie: I went to Berklee College of Music, where I studied violin performance.
Amy: Yes, University of Southern Maine, studying piano and cello.
Were you a Johnson renter growing up?
Amy: I was! I had only been playing for a couple of years when I switched to a JSI rental cello and had a great time. Later on my family used the rental equity to purchase a cello once I could play a full-size, and I still play that instrument!
Is your child starting an instrument this school year? Not sure what they need? Whether they are taking lessons through their school or elsewhere, their teacher will have a list of what they require for their students. However, we can also give you a basic list of what your child will need to succeed:
Where are you getting your instrument? For a child just starting lessons, many families choose to rent. This is a great way to have access to a high-quality instrument without the financial commitment of purchasing one. All of our rental outfits come with an instrument, bow, case, and rosin. They also come with insurance, which includes things like broken strings, accidental damage, and size exchanges. Check out the video below to learn more about our well-respected rental program:
Not interested in renting? Buying is also a great option! When shopping, make sure that the shop you buy your instrument at has a trade-in program. Keep in mind that most children are not going to start out in a full size instrument; they will need something smaller and will change sizes as they grow. Our sales department at Carriage House Violins has a trade-up program that allows you to trade any instrument or bow purchased with us for another of equal or greater value. Keep in mind that if you buy an instrument, you will be responsible for the cost of repairs and strings.
**A note about instrument shopping and rentals: Always work with a reputable shop. You may notice lower prices on sites like Amazon or eBay. To learn an instrument, you need something that is high enough quality that it works with your child, not against them. Quality can’t be guaranteed on sites like these, but it can at shops like Johnson String Instrument whether you choose rent or buy.
Almost all programs require a beginning method book. Your child’s teacher will tell you which one they use. Make sure to pay attention to the edition they ask for; a lot of publishers make significant changes between editions and group classes all use the same book. You can find our full selection of method books here.
No matter which instrument your child chooses, you’ll need something to help stabilize it. For violin and viola, this is a shoulder rest. For cello and bass, it’s an endpin rest. Both help the player hold the instrument and promote good technique. Talk to your child’s teacher about their preference.
Some teachers list music stands as optional, but they are important. Like a podium for a public speaker, it puts the music at a comfortable level and angle. You don’t need anything fancy – our JSI folding stand will do the trick! It comes in a wide variety of colors and is easily carried and stored. We also carry other models and non-folding stands here.
These things required but highly recommended for players of any age:
Metronome/Tuner: You can find some great apps that do the same thing, but sometimes a dedicated device just works better. Available as individual products or combos, we carry all major brands and models.
Practice Planner: These are great for tracking practicing, recording assignments, assessing progress, and all-around organization.
Flashcards: These are a great tool for beginners. They are available for all instruments in different positions as well as for general music.
Don’t forget: Your child’s teacher is your greatest resource! They will tell you exactly what they want their students to have. If your child is taking lessons locally, many school districts and teachers have arrangements with us to have a rental night where you can pick up all of these supplies at school in your area.
We hope everyone has a great start to the school year!
You want to start experimenting with electric violin, but you either don’t want a second instrument or need something budget-friendly. What’s your best option? Electrify your acoustic by installing a pickup! Now for the harder question: which pickup should you choose? Like finding the right electric violin or amplifier, there are different factors to consider. First let’s take a look at different pickups options that are available:
This is one of our favorite pickups at Johnson String. Designed by Ned Steinberger of NS Design fame in collaboration with David Gage, the sound quality is fantastic. Even though the pickup element sits under the bridge, your instrument’s acoustic tone will not be affected. However it can only be installed by a luthier, so it is not easy to remove.
Players looking for a pickup that is easily installed and removed don’t need to look any further than The Band. This instant-fit pickup wraps around the body of your instrument using Velcro, making it easy to take off when you don’t need it. The Band produces a strong, lively tone suitable for a variety of styles from fiddle to classical.
If you are looking to transform your violin into an “electric-acoustic,” then a replacement bridge like the LR Baggs violin pickup is a great option. Featuring a transducer embedded in a Despiau Superior bridge blank, this pickup will effortlessly capture your instrument’s inherent dynamics. However, this also means the pickup requires professional installation to fit your instrument. The LR Baggs was our pickup of choice when creating our JSI Performer-Acoustic Violin.
The next step in selecting a pickup is to consider your needs. If you need to be amplified on a regular basis and do not mind leaving a pickup on your violin, the Realist or LR Baggs are great options. If you need a little more flexibility or only need to amplify your violin once in a while, the Band may be the one for you. It is difficult to make a wrong choice with any of these options as each produces a great sound that can always be tailored with a little EQ.
Finally, all of the pickups mentioned in this post are “plug and play.” This means that once installed, you can plug straight into an amp or PA system and start rocking and rolling. While preamps are not required with any of these pickups, they are highly recommended. Look for my next post to find out why!