This Women’s History Month, we honor women of the past and present by acknowledging their accomplishments, struggles and hard work to attain sometimes the barest recognition from society. Women composers are particularly absent from the spotlight; however, they have gained increased visibility in recent years. New Hampshire-born Amy Beach is perhaps the most prominent female composer in American history. She enjoyed a fair amount of recognition by the Boston Symphony Orchestra in her lifetime.

Our sheet music collection at Johnson String Instrument includes music by countless other past and present women composers. Below is our first installment exploring these pioneering women and their exciting compositions.

Rebecca Clarke

REBECCA CLARKE (August 27, 1886 – October 13, 1979) was an English composer and violist. Forced on to the streets by her father at age 20, Clarke supported herself as a performer and became one of the first female professional violists, in chamber and orchestral settings alike. Her compositions are known for their lyricism, lush harmonies, and intense emotion. She faced numerous difficulties as a female composer, and her work was largely forgotten at the end of her life. Today, interest in her music has soared. The Viola Sonata from 1919 is her best-known work and a gem of the viola repertoire, its bold opening melody instantly recognizable.

Adriana Figueroa Mañas

ADRIANA FIGUEROA MAÑAS (b. October 19, 1966) has enjoyed performances of works on four continents. She is a member of the International Alliance of Women in Music, as well as the Argentinian Foundation of Woman Composers. She also plays flute and is the saxophonist in the West Jazz Band of Mendoza. Her colorful compositions, such as Tres Piezas en Clave de Tango, evoke the music of her native Argentina.

Grazyna Bacewicz

GRAZYNA BACEWICZ (February 5, 1909 – January 17, 1969) was a prominent Polish composer and violinist. As a student in Paris, she studied composition with Nadia Boulanger and violin with Carl Flesch. She became the concertmaster of the Polish Radio Orchestra in 1936. During World War II, she lived in Warsaw, where she gave secret underground concerts featuring her music. Her violin-centric works display interest in folksong and show the modernist influence of Bartók. Her Concertino for Violin and Piano is a fantastic student-level work of intermediate difficulty.

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